Peter Kivy

Music, Language, and Cognition (eBook, PDF)

And Other Essays in the Aesthetics of Music

• Format: PDF

Produktbeschreibung

Music, Language, and Cognition is the third collection of Peter Kivy's seminal papers in the philosophy of music. In essays which span his earliest work in the field and his more recent contributions to journals, anthologies, and conference proceedings, Kivy considers the origin of music, the medium of expression in opera, the role of music in film, the nature of an 'ideal' performance, and the question of whether absolute music has a meaning, among other issues. Rich with critical analysis and informed by the history of both philosophy and music, this volume will be of interest to anyone who likes not only to listen to music, but to think about it as well.

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Produktdetails

• Verlag: Oxford University Press
• Erscheinungstermin: 31. Mai 2007
• Englisch
• ISBN-13: 9780191527210
• Artikelnr.: 56876344

Autorenporträt

Peter Kivy is Board of Governors Professor of Philosophy Emeritus, at Rutgers University. He is the author of numerous books and articles on aesthetics and philosophy of art, including De Gustibus: Arguing About Taste and Why We Do It (OUP, 2015), Music Alone: Philosophical Reflections on the Purely Musical Experience (Cornell UP, 2009), The Blackwell Guide to Aesthetics (2004) and Antithetical Arts: On the Ancient Quarrel Between Literature and Music (OUP, 2009). Several of his books have been translated into Chinese, Italian, Korean, Portuguese, and Spanish. He is a former Guggenheim Fellow and a past President of the American Society for Aesthetics.

Inhaltsangabe

* Preface
* Part I: History
* 1: Mainwaring's Handel: Its Relation to British Aesthetics
* 2: Herbert Spencer and a Musical Dispute
* Part II: Opera
* 3: Handel's Operas: The Form of Feeling and the Problem of
Appreciation
* 4: Anti-Semitism in Meistersinger
* 5: Speech, Song, and the Transparency of Medium: On Operatic
Metaphysics
* 6: Music in the Movies: A Philosophical Inquiry
* Part III: Performance
* 7: On the Historically Informed Performance
* 8: Ars perfecta: Toward Perfection in Musical Performance?
* Part IV: Interpretation
* 9: Another Go at the Meaning of Music: Koopman, Davies, and the
Meanings of 'Meaning'
* 10: Another Go at Musical Profundity: Stephen Davies and the Game of
Chess
* 11: From Ideology to Music: Leonard Meyer's Theory of Style Change
* 12: Sibley's Last Paper
* 13: In Defense of Musical Representation: Music, Representation, and
the Hybrid Arts
* 14: Music, Language, and Cognition: Which Doesn't Belong?
* Bibliography
* Index