There is a growing interest in what psychoanalytic theory brings to researching music. This collection outlines and advances psychoanalytic approaches to our understanding of a range of musics-from the romantic and the modernist to the contemporary popular. It demonstrates the efficacy of psychoanalytic theories in fields such as music analysis, music and culture, and musical improvisation. It debates the methods through which music is understood and the situations in which it is experienced, including those of performance and listening. This collection is an invaluable resource for anyone interested in the intersections between music, psychoanalysis, and musicology.
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