Music Semiotics: A Network of Significations (eBook, PDF)

In Honour and Memory of Raymond Monelle
Redaktion: Sheinberg, Esti

• Format: PDF

Produktbeschreibung

United in their indebtedness to the scholarship of Raymond Monelle, an international group of contributors, including leading authorities on music and culture, come together in this state of the art volume to investigate different ways in which music signifies. Music semiotics asks what music signifies as well as how the signification process takes place. Looking at the nature of musical texts and music's narrativity, a number of the essays in this collection delve into the relationship between music and philosophy, literature, poetry, folk traditions and the theatre, with opera a genre that particularly lends itself to this mode of investigation. Other contributions look at theories of musical markedness, metaphor and irony, using examples and specific musical texts to serve as case studies to validate their theoretical approaches. Musical works discussed include those by Haydn, Mozart, Beethoven, Schumann, Wagner, Stravinsky, Bartók, Xenakis, Kutavicius and John Adams, offering stimulating discussions of music that attest to its beauty as much as to its intellectual challenge. Taking Monelle's writing as a model, the contributions adhere to a method of logical argumentation presented in a civilized and respectful way, even - and particularly - when controversial issues are at stake, keeping in mind that contemplating the significance of music is a way to contemplate life itself.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 366
• Erscheinungstermin: 5. Juli 2017
• Englisch
• ISBN-13: 9781351557207
• Artikelnr.: 48802102

Autorenporträt

Esti Sheinberg is the author of Irony, Satire, Parody and the Grotesque in the Music of Dmitri Shostakovich (Ashgate: 2000). A former student and colleague of Raymond Monelle, Sheinberg's scholarship contributes to the developing field of music signification by combining music analysis and historical research with the semiotics of music.

Inhaltsangabe

Contents: Foreword
Eero Tarasti; Preface; Introduction
Esti Sheinberg; Part I The Universe of Musical Meaning: The sense of music
Christine Esclapez; How did music rise to philosophical eminence? (And how has it been deprived of it?)
Bálint Veres; Between the field and the salon
Marina Ritzarev; The significance of musical rules: a summary of selected principles of organization
Dalia Cohen; Music in Bakhtin's philosophical aesthetics
Anthony Gritten. Part II Texts
Narratives and Intermodalities: Cycling song: the Wilhelm Meister collections
William P. Dougherty; On metaphor and syntactic troping in music
Robert S. Hatten; Fanny Mendelssohn's cantata Hiob: a transpersonal commentary on divine darkness
Edith Zack; The 'preludio' of the Four Orchestral Pieces
Op.12 by Béla Bartók: an intertextual analytical approach
Márta Grabócz; Semiotic analysis and computational modelling: two case studies on works by Debussy and Xenakis
Christina Anagnostopoulou and Emilios Cambouropoulos. Part III Networks: Who Signals What (and How)?: Time
subjectivity and contested signs: developing Monelle's application of Pierce's 1903 typology to music
Ben Curry; Reflections on musical topics and musical character in performance
David Lidov; Against reproduction
Nicholas Cook; Dramatic signification of the Grail Knights' choruses of Parsifal by Richard Wagner
Anne Sivuoja; Realism and Artifice: innovation
Wagner's Ring and theatre practice in the German Democratic Republic
Elaine Kelly. Part IV The Musical Topic: Beyond Conventions: The topic of emotion
Michael Spitzer; Parody of learned style
Tamara Balter; Ironic inflections of topics: Beethoven's Quartet Op.127
Jamie Liddle; Dysphoric states: Stravinsky's topics - huntsmen
soldiers and shepherds
Nicholas McKay; 'Counting down' time: musical topics in John Adams' Doctor Atomic
Yayoi Uno Everett; 'Cet amour si violent...': on some topical motives in contemporary Lithuanian music
Ruta Staneviciute; Tributes;