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Music Theory Essentials offers an antidote to music theory textbooks that are overly long and dense. Focusing on the essentials, this text provides a clear-cut guide to the key concepts of music theory.
Music Theory Essentials offers an antidote to music theory textbooks that are overly long and dense. Focusing on the essentials, this text provides a clear-cut guide to the key concepts of music theory.
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Autorenporträt
Jason W. Solomon is Associate Professor of Music at Agnes Scott College, Georgia, USA.
Inhaltsangabe
Table of Contents Preface Acknowledgements Part I: Fundamentals Chapter 1: Pitch and Notation Chapter 2: Intervals Chapter 3: Scales and Melody Chapter 4: Keys Chapter 5: Chords Chapter 6: Musical Time Chapter 7: Introduction to Voice Leading and Counterpoint Part II: Diatonic Harmony Chapter 8: Four-Part Voice Leading Chapter 9: Nonchord Tones Chapter 10: Tonal Function, Syntax, and Prolongation Chapter 11: Triad Inversions Chapter 12: Seventh Chords Chapter 13: Motive, Phrase, Cadence, and Period Structure Chapter 14: Harmonic Sequences Part III: Chromatic Harmony Chapter 15: Secondary Dominants and Tonicization Chapter 16: Modulation I: Phrase Modulation and Diatonic Pivot Chords Chapter 17: Modal Mixture Chapter 18: The Neapolitan and Augmented Sixth Chords Chapter 19: Modulation II: Chromatic Pivot Chords, Enharmonic Reinterpretation, and Common-Tone Modulation Chapter 20: Dominant Ninth Chords, Altered Dominants, and Embellishing Chords Part IV: Post-Tonal and Popular Materials Chapter 21: The Dissolution of the Tonal System Chapter 22: New Pitch Collections Chapter 23: Centricity and Harmony Chapter 24: Set Theory Chapter 25: Serialism Chapter 26: Introduction to Jazz and Pop Harmony Appendix: List of Set Classes Credits Index of Musical Examples Index of Terms and Concepts
Table of Contents Preface Acknowledgements Part I: Fundamentals Chapter 1: Pitch and Notation Chapter 2: Intervals Chapter 3: Scales and Melody Chapter 4: Keys Chapter 5: Chords Chapter 6: Musical Time Chapter 7: Introduction to Voice Leading and Counterpoint Part II: Diatonic Harmony Chapter 8: Four-Part Voice Leading Chapter 9: Nonchord Tones Chapter 10: Tonal Function, Syntax, and Prolongation Chapter 11: Triad Inversions Chapter 12: Seventh Chords Chapter 13: Motive, Phrase, Cadence, and Period Structure Chapter 14: Harmonic Sequences Part III: Chromatic Harmony Chapter 15: Secondary Dominants and Tonicization Chapter 16: Modulation I: Phrase Modulation and Diatonic Pivot Chords Chapter 17: Modal Mixture Chapter 18: The Neapolitan and Augmented Sixth Chords Chapter 19: Modulation II: Chromatic Pivot Chords, Enharmonic Reinterpretation, and Common-Tone Modulation Chapter 20: Dominant Ninth Chords, Altered Dominants, and Embellishing Chords Part IV: Post-Tonal and Popular Materials Chapter 21: The Dissolution of the Tonal System Chapter 22: New Pitch Collections Chapter 23: Centricity and Harmony Chapter 24: Set Theory Chapter 25: Serialism Chapter 26: Introduction to Jazz and Pop Harmony Appendix: List of Set Classes Credits Index of Musical Examples Index of Terms and Concepts
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