77,95 €
77,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
39 °P sammeln
77,95 €
77,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
39 °P sammeln
Als Download kaufen
77,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
39 °P sammeln
Jetzt verschenken
77,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
39 °P sammeln
  • Format: ePub

Discourse on popular music frequently describes artists' recordings and performances as "intimate." Yet that discourse often stops short of elucidating how a mass-produced commodity such as popular music is able to elicit feelings of intimacy with and among its audience. Through detailed analysis of popular music's composition, performance, production, and promotion, Musical Intimacy examines how intimacy is constructed and perceived in popular music via its affective and technological affordances. From the recording studio to the concert stage, from collective experience to individual…mehr

  • Geräte: eReader
  • mit Kopierschutz
  • eBook Hilfe
  • Größe: 0.7MB
Produktbeschreibung
Discourse on popular music frequently describes artists' recordings and performances as "intimate." Yet that discourse often stops short of elucidating how a mass-produced commodity such as popular music is able to elicit feelings of intimacy with and among its audience. Through detailed analysis of popular music's composition, performance, production, and promotion, Musical Intimacy examines how intimacy is constructed and perceived in popular music via its affective and technological affordances. From the recording studio to the concert stage, from collective experience to individual listening and perception, this book presents a working understanding of musical intimacy.
Autorenporträt
Zack Stiegler is Professor of Communications Media at Indiana University of Pennsylvania, USA. He has served as Editor of Journal of Communications Media Studies, and as reviewer for Journal of Communication Inquiry, and Language and Communication Quarterly. In addition to authoring a number of journal articles and book chapters, he is editor of
Regulating the Web (2013). He has also served on the executive board of the International Association for the Study of Popular Music (US Branch).