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Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.

Produktbeschreibung
Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.

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Autorenporträt
Mirko M. Hall is Associate Professor of German Studies and Affiliate Faculty in Philosophy in the Department of Languages, Cultures, and Literatures at Converse College, USA.
Rezensionen
"Hall's book is engaging, stimulating and generative. ... Hall provides readers with enough critical-musicking instruments to equip themselves as destructive musicians-or better, 'destructive musickers'-in their own right. ... Musical Revolutions is a compelling and well-crafted provocation for future scholars to 'Bring the Noise.'" (Martin Law, Marx and Philosophy, marxandphilosophy.org.uk, April, 2016)