eBook, PDF

Musical Scenes and Social Class (eBook, PDF)

Debating Punk and Metal

Redaktion: Garbaye, Romain; Guibert, Gérôme

Beschreibung

Early analysts of both punk and metal have shown their continuing popularity for segments of the public who were often considered in the 1970s and 1980s as "losers of globalization" despite the level of fragmentation of these scenes, the diversity of their audiences' backgrounds, and their constant evolution and re-invention. This volume aims to stimulate and contribute to debates on social class and economic and cultural change, on one side, and punk and metal, on the other, through international, contemporary and historical approaches, mainly focused on Britain and France.

Technische Details

• Geräte: PC
• ohne Kopierschutz
• Größe: 8.97MB

Barrierefreiheit

• Text-to-Speech
• E-Mail des Verlags für Barrierefreiheitsfragen: [e-mail]
• Alle Inhalte über Screenreader oder taktile Geräte zugänglich
• Navigation über vor-/zurück-Elemente ohne Inhaltsverzeichnis
• Hoher Kontrast zwischen Text und Hintergrund (min. 4.5 =>1)
• Inhalte verständlich ohne Farbwahrnehmung
• Kurze Alternativtexte für nicht-textuelle Inhalte vorhanden
• Text und Medien in logischer Lesereihenfolge angeordnet
• Navigierbares Inhaltsverzeichnis für direkten Zugriff auf Text und Medien
• Keine Einschränkung der Vorlesefunktionen, außer bei spezifischen Ausnahmen

Autor

Romain Garbaye is Professor of British Studies at the Université Sorbonne Nouvelle. His research focuses on the history of immigration and citizenship in the United Kingdom, as well as on the history of British rock music. Gérôme Guibert is Professor of Sociology at the Université Sorbonne Nouvelle. He is a popular music studies scholar and an ISMMS (International Society for Metal Music Studies) board Member.

Produktdetails

• Verlag: Springer International Publishing
• Seitenzahl: 240
• Erscheinungstermin: 15. Juli 2024
• Englisch
• ISBN-13: 9783031565069
• Artikelnr.: 71270558

Rezensionen

This is a sound contribution to the study of popular music, and it will soon find its place in the bibliographies of numerous books and articles in that field. The variety of approaches (from sociology to cultural studies) and the diverse contexts present in this collection (from Northern Ireland to Australia) will no doubt make this volume indispensable to numerous scholars working in various fields. (Eric DOUMERC, E-rea, erea.revues.org, Vol. 22 (2), 2025)