Marina Lobanova

Musical Style and Genre (eBook, PDF)

History and Modernity
Übersetzer: Cook, Kate

• Format: PDF

Produktbeschreibung

This volume constitutes the first complete publication of Marina Lobanova's study - banned in Russia in 1979 as too avant-garde and published there only in a bowdlerized version in 1990.
Drawing on baroque, classical, romantic, and contemporary music, Dr. Lobanova proposes an original concept of musical syntax with special emphasis on the role of the categories of time, space, and motion. Embracing such aspects of cultural life as poetry and philosophy, she deals with the problems of cultural dialogue and the disintegration of the concept of absolute music.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 220
• Erscheinungstermin: 28. Oktober 2013
• Englisch
• ISBN-13: 9781136652226
• Artikelnr.: 47896050

Autorenporträt

Marina Lobanova

Inhaltsangabe

Introduction; History and the present day; The problem of cultural dialogue; Section 01 1. Unprecedented Reality: Innovation, Tradition and Style in Epochs of Great Rupture; Section 01
01
01 "Something has come to an end"; Section 01
01
02 The antinomies of Baroque; Section 01
01
03 Innovation
tradition
culture; Section 01
01
04 Baroque "conservatives" and "modernists"; Section 01
01
05 Innovation in twentieth
century culture; Section 01
01
06 Tradition: the preservation and transformation of culture; Section 01
01
07 Culture and memory; Section 02 2. The Principles of Musical Poetics
Baroque and the Twentieth Century; Section 02
01
01 The concept of music; Section 02
01
02 "Music" in the age of Baroque; Section 02
01
03 "Music" in the twentieth century; Section 02
01
04 The "musica politica" of the twentieth century; Section 02
01
05 "Seeing" or "hearing"?; Section 02
01
06 Space
time
motion; Section 02
01
07 Concepts of space, time and motion in the age of Baroque; Section 02
01
08 The development of a new concept of space, time and motion: 1920s to 1930s; Section 02
01
09 Concepts of musical time in the twentieth century; Section 02
01
10 Space
time compositions in music; Section 03 3. The Formation of a New Concept of Musical Style; Section 03
01
01 The language of art in epochs of great rupture; Section 03
01
02 Music and words: new treatments; Section 03
01
03 Problems of musical syntax: Baroque
Classicism
Romanticism; Section 03
01
04 The "new musical syntax" of the twentieth century: principles and distinguishing features; Section 04 4. Problems of Musical Style: Classicism, Baroque and the Twentieth Century; Section 04
01
01 The concept of style in the age of Baroque; Section 04
01
02 New functions of musical style in the twentieth century; Section 04
01
03 The problem of style in the early decades of the twentieth century; Section 04
01
04 The "polystylistic situation" in the second half of the 1960s; Section 04
01
05 From the "polystylistic situation" to a "mixed style"; Section 05 5. The Problem of Musical Genre: Baroque, Classicism and the Twentieth Century; Section 05
01
01 "In mixto genere"; Section 05
01
02 The crisis of "absolute music" and the formation of the twentieth
century genre system; Section 05
01
03 The genre experiment; Section 05
01
04 The plurality principle; Section 05
01
05 The mixing principle; Section 05
01
06 Memory in musical genre; conclusion In Lieu of a Conclusion; New syntheses; Appendices; Tables; Diagrams; Index;