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Female musical theatre singers face a unique and specific set of issues when approaching their craft, from negotiating the registers of their voice, to vocal health challenges. This is the only book that offers a full and detailed guide to tackling those issues and singing with full expression and technical excellence.
Female musical theatre singers face a unique and specific set of issues when approaching their craft, from negotiating the registers of their voice, to vocal health challenges. This is the only book that offers a full and detailed guide to tackling those issues and singing with full expression and technical excellence.
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Autorenporträt
Shaun Aquilina is a singer, director, and teacher. He has trained singers at the UK's leading musical theatre institutions such as GSA, ArtsEd, and Laine Theatre Arts. He is currently a Lecturer in Musical Theatre at Anglia Ruskin University.
Inhaltsangabe
Part 1: Whole-Body Engagement 1. Posture 2. Breath 3. Voice 4. Vocal Health Part 2: Expressive Singing 5. Impression-Expression 6. Words and Music
Part 1: Whole-Body Engagement, 1. Posture, 2. Breath, 3. Voice, 4. Vocal Health, Part 2: Expressive Singing, 5. Impression-Expression, 6. Words and Music
Part 1: Whole-Body Engagement 1. Posture 2. Breath 3. Voice 4. Vocal Health Part 2: Expressive Singing 5. Impression-Expression 6. Words and Music
Part 1: Whole-Body Engagement, 1. Posture, 2. Breath, 3. Voice, 4. Vocal Health, Part 2: Expressive Singing, 5. Impression-Expression, 6. Words and Music
Rezensionen
"I can recommend this book to students and professionals alike who can trust the insights given through Shaun's exhaustive study of voice production. This is not just a description of singing but a helpful guide to improvement and best practice." - Sylvia Young OBE, Founder and Principal of the Sylvia Young Theatre School, UK
"The book lays out an approach to the singing voice that is filled with the warmth and wisdom of its experienced practitioner author, Shaun Aquilina. Not only is the book informative but it is accessible in tone and avoids any hint of expert condescension. It is clearly a must have for the singer who wishes to discover more about the full story of their voice from posture to performance in order to enhance their vocal artistry." - Jane Boston, Principal Lecturer Voice, The Royal Central School of Speech and Drama, UK
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