Nag Great Britain (eBook, ePUB)
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"The Nag of Great Britain" is a striking title. The Nag is the Nag of Saadawiyah in Upper Egypt. Where did the writer get the title from? Here you enter the novel to discover that you are faced with a history that extends back to the beginning of the twentieth century and the struggle of the Saadawi family to win the mayoralty and then lose it, and all of this is inseparable from the British presence and the First and Second World War until the July Revolution and beyond until 1956. All of that history falters and continues and explodes with the visit of Zein Salil. Al-Saadawiyyah to his uncle...
"The Nag of Great Britain" is a striking title. The Nag is the Nag of Saadawiyah in Upper Egypt. Where did the writer get the title from? Here you enter the novel to discover that you are faced with a history that extends back to the beginning of the twentieth century and the struggle of the Saadawi family to win the mayoralty and then lose it, and all of this is inseparable from the British presence and the First and Second World War until the July Revolution and beyond until 1956. All of that history falters and continues and explodes with the visit of Zein Salil. Al-Saadawiyyah to his uncle Hassanein, who became a major merchant in Rawd al-Farag after everything belonged to the bygone era after the July Revolution. On the one hand, Al-Saadawiyya and her enemies and friends, and on the other hand, the English Mr. Harris, his origins, his wife and his daughter, intertwine in the areas of politics, sex, murder, war, and others in an amazing way. The ups and downs here are no different, nor are the endings. Not only through the overlapping of stories, but also through the vision of a person between his ambitions, whims, and crimes, so there is no difference. One nag here or there. The difference is that writing made the place visible in all the stories and pictures in an amazing way about sex, betrayals, rape, murder, and love in a language that built the place with its trees, water, plants, silt, sand, and customs. The language of the one who sees, not the one who tells, and this is the most beautiful achievement of art. This is what makes you read with fascination and not stop. Ibrahim Abdel Majeed
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