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Examining art that intersects with science and seeks to make visible what cannot ordinarily be seen with the naked eye, Nanoart provides thorough insight into new understandings of materiality and life. It includes an extensive overview of the history of nanoart from the work of Umberto Boccioni right up to present-day artists. The author looks specifically at art inspired by nanotechnological research made possible by the Scanning Tunneling Microscope and Atomic Force Microscope in the 1980s, as well as the development of other instruments of nanotechnological experimentation. Nanoart is a…mehr

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Produktbeschreibung
Examining art that intersects with science and seeks to make visible what cannot ordinarily be seen with the naked eye, Nanoart provides thorough insight into new understandings of materiality and life. It includes an extensive overview of the history of nanoart from the work of Umberto Boccioni right up to present-day artists. The author looks specifically at art inspired by nanotechnological research made possible by the Scanning Tunneling Microscope and Atomic Force Microscope in the 1980s, as well as the development of other instruments of nanotechnological experimentation. Nanoart is a sustained consideration of this fascinating artistic approach that challenge how we see and understand our world.

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Autorenporträt
Paul Thomas is honorary professor at the University of New South Wales (UNSW); he is the founder and series-chair of the Transdisciplinary Imaging Conference series 2010-22. Thomas's current artworks 'Quantum Chaos' are based on experiments with the Quantum Computation Centre, UNSW. He has written on quantum art and nanotechnologies.

Contact: University of New South Wales, School of Art & Design, Cnr. Oxford St. & Greens Rd., Paddington NSW 2021, Australia.

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