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Narrating Human Rights in Africa claims human rights from the perspective of artists from the African continent and situates the key theoretical concepts in African perspectives, undercutting the stereotypes of victimhood and voicelessness.
Narrating Human Rights in Africa claims human rights from the perspective of artists from the African continent and situates the key theoretical concepts in African perspectives, undercutting the stereotypes of victimhood and voicelessness.
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Autorenporträt
Eleni Coundouriotis is a professor in the Department of English at the University of Connecticut, USA.
Inhaltsangabe
Introduction: Narrating Human Rights in Africa 1. The Dignity of the "Unfittest:" Victims' Stories in South Africa 2. Congo Cases: The Stories of Human Rights History 3. The Child Soldier Narrative and the Problem of Arrested Historicization: An Argument Revisited 4. Improbable Figures: Realist Fictions of Insecurity 5. The Refugee Experience and Human Rights Narrative 6. "You Only Have Your Word": Rape and Testimony 7. Torture and Textuality: Guantánamo Diary as Postcolonial Text 8. Evoking the Body of the Disappeared in Assia Djebar and Nuruddin Farah
Introduction: Narrating Human Rights in Africa 1. The Dignity of the "Unfittest:" Victims' Stories in South Africa 2. Congo Cases: The Stories of Human Rights History 3. The Child Soldier Narrative and the Problem of Arrested Historicization: An Argument Revisited 4. Improbable Figures: Realist Fictions of Insecurity 5. The Refugee Experience and Human Rights Narrative 6. "You Only Have Your Word": Rape and Testimony 7. Torture and Textuality: Guantánamo Diary as Postcolonial Text 8. Evoking the Body of the Disappeared in Assia Djebar and Nuruddin Farah
Introduction: Narrating Human Rights in Africa 1. The Dignity of the "Unfittest:" Victims' Stories in South Africa 2. Congo Cases: The Stories of Human Rights History 3. The Child Soldier Narrative and the Problem of Arrested Historicization: An Argument Revisited 4. Improbable Figures: Realist Fictions of Insecurity 5. The Refugee Experience and Human Rights Narrative 6. "You Only Have Your Word": Rape and Testimony 7. Torture and Textuality: Guantánamo Diary as Postcolonial Text 8. Evoking the Body of the Disappeared in Assia Djebar and Nuruddin Farah
Introduction: Narrating Human Rights in Africa 1. The Dignity of the "Unfittest:" Victims' Stories in South Africa 2. Congo Cases: The Stories of Human Rights History 3. The Child Soldier Narrative and the Problem of Arrested Historicization: An Argument Revisited 4. Improbable Figures: Realist Fictions of Insecurity 5. The Refugee Experience and Human Rights Narrative 6. "You Only Have Your Word": Rape and Testimony 7. Torture and Textuality: Guantánamo Diary as Postcolonial Text 8. Evoking the Body of the Disappeared in Assia Djebar and Nuruddin Farah
Rezensionen
Narratives of rights are the foundations upon which academics theorize, activists mobilize, and the state intervenes to protect human rights. This is why Coundouriotis' focus on human rights narratives in this book marks an important contribution to human rights scholarship. The main contribution of this book is the centering of narrative in our understanding of human rights. [...] Narrating Human Rights seeks to bridge this gap by exploring how narratives affirm the values of social justice and human rights while at the same time creating new categories of thought that challenge human rights dogma. The author does this by examining human rights from the perspective of writers from the African continent and situating key theoretical concepts in African perspectives, undercutting the stereotypes of victimhood and voicelessness.
Bonny Ibhawoh, Professor of Global Human Rights, McMaster University, Canada
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