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A sustained and systematic study of the construction, erosion and reconstruction of national histories across a wide variety of states is highly topical and extremely relevant in the context of the accelerating processes of Europeanization and globalization. However, as demonstrated in this volume, histories have not, of course, only been written by professional historians. Drawing on studies from a number of different European nation states, the contributors to this volume present a systematic exploration, of the representation of the national paradigm. In doing so, they contextualize the…mehr
A sustained and systematic study of the construction, erosion and reconstruction of national histories across a wide variety of states is highly topical and extremely relevant in the context of the accelerating processes of Europeanization and globalization. However, as demonstrated in this volume, histories have not, of course, only been written by professional historians. Drawing on studies from a number of different European nation states, the contributors to this volume present a systematic exploration, of the representation of the national paradigm. In doing so, they contextualize the European experience in a more global framework by providing comparative perspectives on the national histories in the Far East and North America. As such, they expose the complex variables and diverse actors that lie behind the narration of a nation.
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Linas Eriksonas is Project Manager of the EU 6th Framework Programme project SAL ("Society and Lifestyles: Towards Enhancing Social Harmonization through Knowledge of Subcultural Communities"). Previously he was Project Coordinator for the European Science Foundation program "Representations of the Past: The Writing of National Histories in Nineteenth- and Twentieth-Century Europe". He is the author of National Heroes and National Identities: Scotland, Norway and Lithuania (Brussels, 2004).
Inhaltsangabe
List of Illustrations Acknowledgements Introduction: Narrating the Nation: Historiography and Other Genres Stefan Berger PART I: SCIENTIFIC APPROACHES TO NATIONAL NARRATIVES Chapter 1. Historical Representation, Identity, Allegiance Allan Megill Chapter 2. Drawing the Line: 'Scientific' History between Myth-making and Myth-breaking Chris Lorenz Chapter 3. National Histories: Prospects for Critique and Narrative Mark Bevir PART II: NARRATING THE NATION AS LITERATURE Chapter 4. Fiction as a Mediator in National Remembrance Ann Rigney Chapter 5. The Institutionalisation and Nationalisation of Literature in Nineteenth-century Europe John Neubauer Chapter 6. Towards the Genre of Popular National History: Walter Scott after Waterloo Linas Eriksonas Chapter 7. Families, Phantoms and the Discourse of 'Generations' as a Politics of the Past: Problems of Provenance: Rejecting and Longing for Origins Sigrid Weigel PART III: NARRATING THE NATION AS FILM Chapter 8. Sold Globally - Remembered Locally: Holocaust Cinema and the Construction of Collective Identities in Europe and the US Wulf Kansteiner Chapter 9. Cannes 1956/1979: Riviera Reflections on Nationalism and Cinema Hugo Frey PART IV: NARRATING THE NATION AS ART AND MUSIC Chapter 10. From Discourse to Representation: 'Austrian Memory' in Public Space Heidemarie Uhl Chapter 11. Personifying the Past: National and European History in the Fine and Applied Arts in the Age of Nationalism Michael Wintle Chapter 12. The Nation in Song Philip V. Bohlman PART V: NON-EUROPEAN PERSPECTIVES ON NATION AND NARRATION Chapter 13. 'People's History' in North America: Agency, Ideology, Epistemology Peter Seixas Chapter 14. The Configuration of Orient and Occident in the Global Chain of National Histories: Writing National Histories in Northeast Asia Jie-Hyun Lim Notes on Contributors Bibliography Index
List of Illustrations Acknowledgements Introduction: Narrating the Nation: Historiography and Other Genres Stefan Berger PART I: SCIENTIFIC APPROACHES TO NATIONAL NARRATIVES Chapter 1. Historical Representation, Identity, Allegiance Allan Megill Chapter 2. Drawing the Line: 'Scientific' History between Myth-making and Myth-breaking Chris Lorenz Chapter 3. National Histories: Prospects for Critique and Narrative Mark Bevir PART II: NARRATING THE NATION AS LITERATURE Chapter 4. Fiction as a Mediator in National Remembrance Ann Rigney Chapter 5. The Institutionalisation and Nationalisation of Literature in Nineteenth-century Europe John Neubauer Chapter 6. Towards the Genre of Popular National History: Walter Scott after Waterloo Linas Eriksonas Chapter 7. Families, Phantoms and the Discourse of 'Generations' as a Politics of the Past: Problems of Provenance: Rejecting and Longing for Origins Sigrid Weigel PART III: NARRATING THE NATION AS FILM Chapter 8. Sold Globally - Remembered Locally: Holocaust Cinema and the Construction of Collective Identities in Europe and the US Wulf Kansteiner Chapter 9. Cannes 1956/1979: Riviera Reflections on Nationalism and Cinema Hugo Frey PART IV: NARRATING THE NATION AS ART AND MUSIC Chapter 10. From Discourse to Representation: 'Austrian Memory' in Public Space Heidemarie Uhl Chapter 11. Personifying the Past: National and European History in the Fine and Applied Arts in the Age of Nationalism Michael Wintle Chapter 12. The Nation in Song Philip V. Bohlman PART V: NON-EUROPEAN PERSPECTIVES ON NATION AND NARRATION Chapter 13. 'People's History' in North America: Agency, Ideology, Epistemology Peter Seixas Chapter 14. The Configuration of Orient and Occident in the Global Chain of National Histories: Writing National Histories in Northeast Asia Jie-Hyun Lim Notes on Contributors Bibliography Index
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