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National Galleries looks at national art museums globally and considers how - as pieces of architecture, curated spaces and collections of artworks - they entangle art and nation. Are national galleries different from other kinds of art gallery or museum? What value is there for the nation in a collection of international masterpieces? How are national galleries involved in the construction of national art? This is a book that travels the world and considers how art is made to perform differently in each place. It is a book about looking and thinking afresh.
National Galleries looks at national art museums globally and considers how - as pieces of architecture, curated spaces and collections of artworks - they entangle art and nation. Are national galleries different from other kinds of art gallery or museum? What value is there for the nation in a collection of international masterpieces? How are national galleries involved in the construction of national art? This is a book that travels the world and considers how art is made to perform differently in each place. It is a book about looking and thinking afresh.
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Autorenporträt
Simon Knell is Professor of Museum Studies at the University of Leicester's School of Museum Studies, UK.
Inhaltsangabe
Preface List of Plates List of Figures INTRODUCTION 1. Picturing the national gallery Budapest 2012 Embarking on a new journey Defining the national gallery Redefining and complicating the definition Boundary institutions Putting the nation in the gallery Nations, the national and the international The political agency of national galleries The national gallery and the art-nation ART NATION GALLERY 2. Entangling art and nation Oslo 2011 Isolating artists Subjects and essences Citizens and foreigners Inscription and entombment Making up stories Respecting the nation 3. National and international art London 2013 Accumulating masterpieces An authored geography An idiosyncratic inheritance Appropriation and moral purpose The nation as a moral good The psychology of taste HISTORIES GEOGRAPHIES 4. The Invention of national galleries London 1629 The National Gallery The Louvre Nationalising the royal museum National galleries as projects of unification National galleries and the fight for independence State art museums, ideology and control Fanaticism and the national gallery National galleries and fragmenting nations Diverse invention 5. An idea in global translation Mexico City 2000 Latin America The British model abroad Speaking to the world Censorship, propaganda and freedom The independent nation Building a better world ARCHITECTURE CURATION 6. Buildings in cities Canberra 2010 The curated city or the body of the nation An aesthetic paradigm A functional ideal Galleries for the nation Function and nation Brutalism, blandness and bling Strange appropriations 7. Performances in space London 2013 Harmonic agency Movement and culmination Scale, spectacle, transcendence and the sublime Inserting the nation Storied space Political maps of culture Convention and invention NATIONAL GALLERIES NATIONAL ART 8. Making national art Tirana 2012 State realisms in Russia, Germany and China Academic nationalism in Poland The Prado and the invention of the Spanish tradition National art perfected: Canada's Group of Seven 9. Admitting complexity Guernica 1937 Impressionism, Australia and the national artist Internationalism and the Hungarian Fauves Contesting New Zealand's Colin McCahon America's inclusive abstraction and Latino art Beyond nation, beyond art: Indigenous Australia
Preface List of Plates List of Figures INTRODUCTION 1. Picturing the national gallery Budapest 2012 Embarking on a new journey Defining the national gallery Redefining and complicating the definition Boundary institutions Putting the nation in the gallery Nations, the national and the international The political agency of national galleries The national gallery and the art-nation ART NATION GALLERY 2. Entangling art and nation Oslo 2011 Isolating artists Subjects and essences Citizens and foreigners Inscription and entombment Making up stories Respecting the nation 3. National and international art London 2013 Accumulating masterpieces An authored geography An idiosyncratic inheritance Appropriation and moral purpose The nation as a moral good The psychology of taste HISTORIES GEOGRAPHIES 4. The Invention of national galleries London 1629 The National Gallery The Louvre Nationalising the royal museum National galleries as projects of unification National galleries and the fight for independence State art museums, ideology and control Fanaticism and the national gallery National galleries and fragmenting nations Diverse invention 5. An idea in global translation Mexico City 2000 Latin America The British model abroad Speaking to the world Censorship, propaganda and freedom The independent nation Building a better world ARCHITECTURE CURATION 6. Buildings in cities Canberra 2010 The curated city or the body of the nation An aesthetic paradigm A functional ideal Galleries for the nation Function and nation Brutalism, blandness and bling Strange appropriations 7. Performances in space London 2013 Harmonic agency Movement and culmination Scale, spectacle, transcendence and the sublime Inserting the nation Storied space Political maps of culture Convention and invention NATIONAL GALLERIES NATIONAL ART 8. Making national art Tirana 2012 State realisms in Russia, Germany and China Academic nationalism in Poland The Prado and the invention of the Spanish tradition National art perfected: Canada's Group of Seven 9. Admitting complexity Guernica 1937 Impressionism, Australia and the national artist Internationalism and the Hungarian Fauves Contesting New Zealand's Colin McCahon America's inclusive abstraction and Latino art Beyond nation, beyond art: Indigenous Australia
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