Neoliberalism and Global Cinema (eBook, PDF)

Capital, Culture, and Marxist Critique
Redaktion: Kapur, Jyotsna; Wagner, Keith

• Format: PDF

Produktbeschreibung

In this edited volume, an international ensemble of scholars looks at how the world's various cinemas, including Asia, Africa, Latin America, Europe, and the U.S., have variously performed, contested, and reinforced the worldwide transition to neoliberalism. Grounded in Marxist theory, the volume considers how the contradictions of capital, both as culture and commerce, have played out globally in contemporary media culture.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 370
• Erscheinungstermin: 9. Mai 2011
• Englisch
• ISBN-13: 9781136701481
• Artikelnr.: 38270865

Autorenporträt

Jyotsna Kapur is an Associate Professor of Cinema Studies and Sociology at Southern Illinois University, Carbondale and founding coeditor of Studies in South Asian Film and Media. She is the author of Coining for Capital: Movies, Marketing and the Transformation of Childhood and has co-edited with Sunny Yoon a special issue of Visual Anthropology on Neoliberalism and Asian Cinemas (Vol. 22 Issue 2/3 2009). Keith B. Wagner is a PhD candidate in Film Studies and Political Theory at King's College, University of London. He also holds an M.Phil degree from the University of Cambridge and has published work with Film International and has articles under review with Historical Materialism and positions: east asia cultures critique. Keith has previously taught film and politics at the University of Rhode Island and London South Bank University.

Inhaltsangabe

Section 1: Hollywood and Global Dominance 1. 'For a better deal
Harass Your Governor!': Neoliberalism and Hollywood
Toby Miller and Richard Maxwell 2. A Legacy of Neoliberalism: Patterns in Media Conglomeration
Eileen R. Meehan 3. 21st Century Neoliberal Man
Deborah Tudor Section 2: Latin America 4. Cuban Cinema: A Case of Accelerated Underdevelopment
Michael Chanan 5. Politics and Privatization in Peruvian Cinema: Grupo Chaski's Aesthetics of Survival
Sophia A. McClennen 6. Form
Politics and Culture: a case study of The Take
The Revolution Will Not Be Televised and Listen To Venezuela
Mike Wayne and Deirdre O'Neill Section 3: Asia 7. Market Socialism and Its Discontent: Jia Zhangke's Cinematic Narrative of China's Transition in the Age of Global Capital
Xudong Zhang 8. "Leitmotif": State
Market
and Postsocialist Film Industry Under Neoliberal Globalization
Ying Xiao 9. From Exploitation to Playful Exploits: The Rise of Collectives and the Redefinition of Labor
Life
and Representation in Neoliberal Japan
Sharon Hayashi 10. The Underdevelopment of Development: Neoliberalism and the Crisis of Bourgeois Individualism
Jyotsna Kapur 11. Fragments of Labor: Neoliberal Attitudes and Architectures in Contemporary South Korean Cinema
Keith B. Wagner 12. Mainlandization and Neoliberalism with Post-colonial and Chinese Characteristics: Challenges for the Hong Kong Film Industry
Mirana M. Szeto and Yun-chung Chen 13. Neoliberalism and Authoritarianism in Singaporean Cinema: A Case Study of Perth
Jenna Ng 14. Gambling on Life and Death: Neoliberal Rationality and the Films of Jeffrey Jeturian
Bliss Cua Lim Section 4: Africa and Europe 15. Nollywood in Lagos
Lagos in Nollywood Films
Jonathan Haynes 16. French Cinema: Counter-model
Cultural exception
Resistances
Martin O'Shaughnessy