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Rebekah Wilson
"The thorough technical treatment in Miriam Iorwerth's book Networked Music Performance lays a groundwork for describing the present moment where it seems that whatever can go online will go online. It is not only about networks of the kind our devices are attached to but also the social aspects of music and music teaching, the human networks that emerged when going online was the only way to go. Accelerated by the COVID-19 pandemic, tools and practices for connected musical collaboration increased dramatically and this book takes stock of the moment, comprehensively."
Chris Chafe, Director, Center for Computer Research in Music and Acoustics, Stanford University