This collection demonstrates how late-Victorian and Edwardian neurology and fiction shared common philosophical concerns and rhetorical strategies. Between 1860 and 1920 witnessed unprecedented interdisciplinary collaboration between scientists and artists, finding common ground in the prevailing intellectual climate of biological determinism.
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'Neurology and Literature is a wonderful addition to a developing critical field and readers with an interest in nineteenth-century sciences will find this instructive collection of essays both helpful and diverting...Its original and illuminating insights will, no doubt, be welcomed by critics working in this field.' - Vike Martina Plock, Modernism/Modernity