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Examining the vast breadth and diversity of contemporary documentary production, while also situating nonfiction film and video within the cultural, political, and socio-economic history of the region, this book addresses topics such as documentary aesthetics, indigenous media, and transnational filmmaking, among others.

Produktbeschreibung
Examining the vast breadth and diversity of contemporary documentary production, while also situating nonfiction film and video within the cultural, political, and socio-economic history of the region, this book addresses topics such as documentary aesthetics, indigenous media, and transnational filmmaking, among others.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Ana M. López, Tulane University, USA Antonio Gómez, Tulane University, USA Ruth Goldberg, State University of New York, Empire College, USA Vinicius Navarro, Georgia Institute of Technology, USA Cecilia Sayad, University of Kent, UK José Miguel Palacios, New York University, USA Amalia Córdova, New York University, USA Freya Schiwy, University of California, Riverside, USA Antonio Traverso, Curtin University, Australia Germán Liñero, Universidad de Viña del Mar, Chile Michael Chanan, Roehampton University, UK Susan Lord, Queen's University, Canada Zaira Zarza, Queen's University, Canada Juan Carlos Rodríguez, Georgia Institute of Technology, USA Debra A. Castillo, Cornell University, USA
Rezensionen
"The sure-footed and historically aware manner in which the thirteen contributions home in on their specific topics while panning out to highlight broader regional and historical concerns means that this collection is illuminating and insightful, with much to commend it to novices and specialists alike." (David Conlon, Bulletin of Spanish Visual Studies, Vol. 2 (1), April, 2018)