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  • Format: ePub

A rich selection of work from the late 1970s and 1980s, introduced by the playwright.
The plays contained in this volume are:
The Custom of the Country
An updating of Fletcher and Massinger's bawdy Jacobean drama.
The Desert Air
A wartime comedy set in Cairo.
Mrs Klein
A play about the controversial psychoanalyst.
One Fine Day
A comedy about the gulf that separates Britain and Africa.
Treetops
A play based on the author's own rebellious boyhood in South Africa.

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Produktbeschreibung
A rich selection of work from the late 1970s and 1980s, introduced by the playwright.

The plays contained in this volume are:

The Custom of the Country
An updating of Fletcher and Massinger's bawdy Jacobean drama.

The Desert Air
A wartime comedy set in Cairo.

Mrs Klein
A play about the controversial psychoanalyst.

One Fine Day
A comedy about the gulf that separates Britain and Africa.

Treetops
A play based on the author's own rebellious boyhood in South Africa.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Nicholas Wright is a leading British playwright. His plays include: an adaptation of Patrick Hamilton's novel The Slaves of Solitude (Hampstead Theatre, 2017); an adaptation of Pat Barker's novel Regeneration (Royal & Derngate, Northampton, 2014); Travelling Light (National Theatre, 2012); The Last of the Duchess (Hampstead Theatre, 2011); Rattigan's Nijinsky (Chichester Festival Theatre, 2011); The Reporter (National Theatre, 2007); a version of Emile Zola's Therese Raquin (National Theatre, 2006); an adaptation of Philip Pullman's His Dark Materials (National Theatre, 2003-4); Vincent In Brixton (National Theatre, 2002; winner of the Olivier Award for Best New Play); a version of Luigi Pirandello's Naked (Almeida Theatre, 1998); and Mrs Klein (National Theatre & West End, 1988). His writing about the theatre includes Changing Stages: A View of British Theatre in the Twentieth Century, co-written with Richard Eyre.