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Through a series of transmissions and proposals, the poems in No Knowledge Is Complete Until It Passes Through My Body explore the intelligence of the body, especially bodies under duress. Wadud evokes the hum and chorus that fills us when we write to explore methods and modes of circulation, continuum, and claustrophobia. Drawing from the performance practice of Okwui Okpokwasili and Peter Born, Wadud asks, how does a thread of logic form? How do we extend the thread on either end so we see the lineage and continuum of our thoughts?
Through a series of transmissions and proposals, the poems in No Knowledge Is Complete Until It Passes Through My Body explore the intelligence of the body, especially bodies under duress. Wadud evokes the hum and chorus that fills us when we write to explore methods and modes of circulation, continuum, and claustrophobia. Drawing from the performance practice of Okwui Okpokwasili and Peter Born, Wadud asks, how does a thread of logic form? How do we extend the thread on either end so we see the lineage and continuum of our thoughts?
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Asiya Wadud is the author of Crosslight for Youngbird (Nightboat Books, 2018), a finalist for the Hurston/Wright Legacy Award in Poetry. Her other collections include day pulls down the sky... a filament in gold leaf, written collaboratively with Okwui Okpokwasili (Belladonna/ Danspace, 2019) and Syncope (Ugly Duckling Presse, 2019) and No Knowledge Is Complete Until It Passes Through My Body. Asiya teaches poetry at Saint Ann's School and occasionally leads an English conversation group for new immigrants at the Brooklyn Public Library. A member of the Belladonna Collaborative, her work has been supported by the Lower Manhattan Cultural Council, Danspace Project, Brooklyn Poets, Dickinson House, Mount Tremper Arts, and the New York Public Library, among others. Asiya is a 2019-2020 Lower Manhattan Cultural Council Artist-in-Residence and also a 2019-2020 writer-in-residence at Danspace Project. She lives in Brooklyn, New York.
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