'You've lies in the whites of your eyes, Nora. What have you done...?'
Nora is the perfect wife and mother. She is dutiful, beautiful and everything is always in its right place. But when a secret from her past comes back to haunt her, her life rapidly unravels. Over the course of three days, Nora must fight to protect herself and her family or risk losing everything.
Henrik Ibsen's brutal portrayal of womanhood caused outrage when it was first performed in 1879. This bold new version by Stef Smith reframes the drama in three different time periods. The fight for women's suffrage, the Swinging Sixties and the modern day intertwine in this urgent, poetic play that asks how far have we really come in the past hundred years?
Nora : A Doll's House was first produced by the Citizens Theatre, Glasgow, in 2019, at Tramway, Glasgow. It was revived at the Young Vic, London, in February 2020.
It is a finalist for the 2020 Susan Smith Blackburn Prize, awarded annually to celebrate women who have written works of outstanding quality for the English-speaking theatre.
'Stef Smith's excellent adaptation... a provocation infused with Ibsen's radical spirit' - Guardian
'A beautiful and explosively significant piece of theatre' - Scotsman
Nora is the perfect wife and mother. She is dutiful, beautiful and everything is always in its right place. But when a secret from her past comes back to haunt her, her life rapidly unravels. Over the course of three days, Nora must fight to protect herself and her family or risk losing everything.
Henrik Ibsen's brutal portrayal of womanhood caused outrage when it was first performed in 1879. This bold new version by Stef Smith reframes the drama in three different time periods. The fight for women's suffrage, the Swinging Sixties and the modern day intertwine in this urgent, poetic play that asks how far have we really come in the past hundred years?
Nora : A Doll's House was first produced by the Citizens Theatre, Glasgow, in 2019, at Tramway, Glasgow. It was revived at the Young Vic, London, in February 2020.
It is a finalist for the 2020 Susan Smith Blackburn Prize, awarded annually to celebrate women who have written works of outstanding quality for the English-speaking theatre.
'Stef Smith's excellent adaptation... a provocation infused with Ibsen's radical spirit' - Guardian
'A beautiful and explosively significant piece of theatre' - Scotsman
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