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Peter Burke, University of Cambridge
"In this very subtle and thought-provoking book Denis Crouzet makes sense of Nostradamus precisely by accepting his deliberate obscurity. The extraordinary violence and disquieting imagery of his quatrains can be compared with the paintings of Bosch, portraying a world turned upside down where sin and cruelty presage divine punishment. Crouzet skillfully weaves this into a broader understanding of the spiritual and emotional imaginary of the Reformation era, when all old certainties seemed to be melting down, amidst terrifying human savagery."
Robin Briggs, All Souls College, University of Oxford