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In February of 1917 Russia was a backward, autocratic monarchy, mired in an unpopular war; by October, after not one but two revolutions, it had become the world's first workers' state, straining to be at the vanguard of global revolution. How did this unimaginable transformation take place?
In a panoramic sweep, stretching from St Petersburg and Moscow to the remotest villages of a sprawling empire, Mi¿ville uncovers the catastrophes, intrigues and inspirations of 1917, in all their passion, drama and strangeness. Intervening in long-standing historical debates, but told with the reader…mehr

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Produktbeschreibung
In February of 1917 Russia was a backward, autocratic monarchy, mired in an unpopular war; by October, after not one but two revolutions, it had become the world's first workers' state, straining to be at the vanguard of global revolution. How did this unimaginable transformation take place?

In a panoramic sweep, stretching from St Petersburg and Moscow to the remotest villages of a sprawling empire, Mi¿ville uncovers the catastrophes, intrigues and inspirations of 1917, in all their passion, drama and strangeness. Intervening in long-standing historical debates, but told with the reader new to the topic especially in mind, here is a breathtaking story of humanity at its greatest and most desperate; of a turning point for civilisation that still resonates loudly today.

China Mi¿ville tells the extraordinary story of this pivotal moment in history.

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Autorenporträt
China Mi¿ville is the multi-award-winning author of many works of fiction and non-fiction. His fiction includes The City & The City, Embassytown and This Census-Taker, and has won the Hugo, World Fantasy and Arthur C Clarke Awards; his non-fiction includes the photo-illustrated essay London's Overthrow, and Between Equal Rights: A Marxist Theory of International Law. He has a PhD in International Relations from the LSE. He has written for various publications, including the New York Times, The Guardian, Conjunctions and Granta. He is a founding editor of the quarterly Salvage. He has been a fellow of the McDowell Colony, the Lannan Foundation, and the Rockefeller Bellagio Center, and is a Fellow of the Royal Society of Literature.