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When Luisa Igloria cites Epictetus as soon as a thing has been seen, it is carried away, and another comes in its place she introduces the crowded and contradictory world her poems portray: a realm of transience, yes, where the vulnerable come to harm and everything disappears, but also a scene of tremendous, unpredictable bounty, the gloriously hued density this poet loves to detail. I was raised / to believe not only the beautiful can live on / Parnassus, she tells us, and she makes it true, by including in the cyclonic swirl of her poems practically everything: a gorgeous, troubling…mehr

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Produktbeschreibung
When Luisa Igloria cites Epictetus as soon as a thing has been seen, it is carried away, and another comes in its place she introduces the crowded and contradictory world her poems portray: a realm of transience, yes, where the vulnerable come to harm and everything disappears, but also a scene of tremendous, unpredictable bounty, the gloriously hued density this poet loves to detail. I was raised / to believe not only the beautiful can live on / Parnassus, she tells us, and she makes it true, by including in the cyclonic swirl of her poems practically everything: a gorgeous, troubling over-brimming universe."e; Mark Doty, judge for the 2014 Swenson AwardThe May Swenson Poetry Award, an annual competition named for May Swenson, honors her as one of America's most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in Logan, Utah, her hometown.

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Autorenporträt
Luisa A. Igloria is professor of creative writing and English and director of the MFA Creative Writing Program at Old Dominion University. Beyond the ten books she has previously published, her work has appeared or been accepted in numerous anthologies and journals, including Poetry, Crab Orchard Review, The Missouri Review, Indiana Review, Poetry East, Umbrella, Sweet, qarrtsiluni, poemeleon, Smartish Pace, Rattle, The North American Review, Bellingham Review, Shearsman (UK), PRISM International (Canada), Poetry Salzburg Review (Austria), The Asian Pacific American Journal, and TriQuarterly. Originally from Baguio City in the Philippines, Igloria has four daughters and now makes her home in Virginia with most of her family.