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'Considering the significance and longevity of Odin's work, Ledger's documentation of almost fifty years, charting its birth, middle age, and more intensely its senior citizenship in theatre history is timely, exhaustive, and accessible. Ledger suggests a thought-provoking application of the company's relevance in the twenty-first century through notions of community, re cycling, site-specificity and process-based performance, giving a comprehensive account of Odin's proliferating pedagogical work.' - Carran Waterfield, New Theatre Quarterly