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This powerful new collection combines Katie Donovan's unflinching insight into our human foibles with her exceptional descriptive gifts. The years of her late husband's throat cancer are charted in poems by turns tender, harsh and darkly humorous. Donovan gives voice to the carer's duty of being the one who watches, and contains, what is both a searing tragedy and a chainlink of domestic chores. Meanwhile the sulky electrician and the garrulous taxi driver are part of a cast of unlikely extras who provide a contextual chorus from the everyday world that inevitably carries on.
Donovan grasps
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Produktbeschreibung
This powerful new collection combines Katie Donovan's unflinching insight into our human foibles with her exceptional descriptive gifts. The years of her late husband's throat cancer are charted in poems by turns tender, harsh and darkly humorous. Donovan gives voice to the carer's duty of being the one who watches, and contains, what is both a searing tragedy and a chainlink of domestic chores. Meanwhile the sulky electrician and the garrulous taxi driver are part of a cast of unlikely extras who provide a contextual chorus from the everyday world that inevitably carries on.

Donovan grasps talismans of survival: birds foraging in the snow; her daughter's singing - which lights up the hospice in midwinter - and her son's success at soccer. The title-poem resists the classic definition of the grieving widow, instead capturing one of Donovan's enduring motifs - the moment when the mask slips and the true human response is released.

From the reviews of Rootling: New & Selected Poems:

'The voice of these poems is unpretentious, funny, earthy, honest and bursting with energy... It's her craft, however, that creates the illusion of high-spirited spontaneity and buoyancy... In this new book Donovan's remarkable fertility with imagery serves a profound exploration of the first and last mysteries of the flesh.' - Peggy O'Brien, The Irish Times

'These are subjects at the core of human experience, made poignantly luminous by Donovan's assured touch and uncluttered poetic language.' - Dr Charlotte Beyer, Iota


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Autorenporträt
Katie Donovan was educated at Trinity College Dublin and The University of California at Berkeley. She has published four books of poetry, all with Bloodaxe Books: Watermelon Man (1993), Entering the Mare (1997), Day of the Dead (2002) and Rootling: New & Selected Poems (2010), with a new collection, Off Duty, due from Bloodaxe in 2016. Born in 1962, she spent her childhood on a farm in Co. Wexford before moving to Dun Laoghaire, a suburb of Dublin where she still lives. She has worked as a journalist with The Irish Times, and a Creative Writing Teacher at the Institute of Art, Design and Technology (in Dun Laoghaire). She is an Amatsu (osteopathic therapy) practitioner and the mother of two children, Phoebe and Felix. Her work has been widely anthologised, most recently in The Wake Forest Book of Irish Women's Poetry, edited by Peggy O'Brien, and in Bloodaxe's Staying Alive: Real Poems for Unreal Times, edited by Neil Astley. She is the author of Irish Women Writers: Marginalised by Whom? (Raven Arts Press, 1988), and has co-edited two anthologies, Dublines (with Brendan Kennelly), published by Bloodaxe Books in 1996, and Ireland's Women: Writings Past and Present (with A. Norman Jeffares and Brendan Kennelly), published by Kyle Cathie (Britain) and Gill and Macmillan (Ireland) in 1994.