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The first to focus on the (re-)presentations of oil in dramatic literature, theatre and performance, Oil and Modern World Dramas is a pioneering volume in the emerging field of Oil Literatures and Cultures, and the more established field of World Literatures.
The first to focus on the (re-)presentations of oil in dramatic literature, theatre and performance, Oil and Modern World Dramas is a pioneering volume in the emerging field of Oil Literatures and Cultures, and the more established field of World Literatures.
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Autorenporträt
Alireza Fakhrkonandeh is Assistant Professor in Modern and Contemporary Drama and Literary Theory at the University of Southampton, UK. He has recently finished two books, titled Body and Event in Howard Barker's Theatre of Catastrophe (2019) and Evental Ontology, Immanent Ethics and Affective Aesthetics in Howard Barker's Drama (under review). He completed his PhD at Warwick University (2015; funded by WU). Fakhrkonandeh holds degrees in English Literature and Literary Theory (PhD), Continental Philosophy (MA), and Medical Humanities (PhD). His works have featured in various journals and books, including Symploke, Textual Practice, Comparative Drama, English Studies, JCDE, ANQ, The Edinburgh History of Reading (2020), and The Somaesthetics of City Life (2019). He is also a professional academic translator. He is the sole authorized translator of Howard Barker's works into Persian.
Inhaltsangabe
Acknowledgments Prelude Introduction Modern And Contemporary Oil Dramas and Cultures Chapter One Oil, the Crisis of Representation, and the Dramatic Form Chapter Two Conjonctural Cycles of Capitalist Oil Extraction in Western Peripheries: Leo Lania's Konjunktur 1 (1928) Chapter Three "on a wave of oil England swam towards victory [...] our weapon of choice was oil": Oil Monopoly, Petro-Dramaturgical Aesthetics and Capitalocene in Leo Lania's Konjunktur 2 Chapter Four "Oil Is an Idea": From Production to Anti-Production in Leo Lania's Oil Field (1934) Chapter Five "It's not easy to make oil and love run in harness together": "Petroleum Odes," "Oil Odour," and "Odious Coolies" in Lion Feuchtwanger's Oil Islands Works Cited Index
Acknowledgments
Prelude
Introduction
Modern And Contemporary Oil Dramas and Cultures
Chapter One
Oil, the Crisis of Representation, and the Dramatic Form
Chapter Two
Conjonctural Cycles of Capitalist Oil Extraction in Western Peripheries: Leo Lania's Konjunktur 1 (1928)
Chapter Three
"on a wave of oil England swam towards victory [...] our weapon of choice was oil": Oil Monopoly, Petro-Dramaturgical Aesthetics and Capitalocene in Leo Lania's Konjunktur 2
Chapter Four
"Oil Is an Idea": From Production to Anti-Production in Leo Lania's Oil Field (1934)
Chapter Five
"It's not easy to make oil and love run in harness together": "Petroleum Odes," "Oil Odour," and "Odious Coolies" in Lion Feuchtwanger's Oil Islands
Acknowledgments Prelude Introduction Modern And Contemporary Oil Dramas and Cultures Chapter One Oil, the Crisis of Representation, and the Dramatic Form Chapter Two Conjonctural Cycles of Capitalist Oil Extraction in Western Peripheries: Leo Lania's Konjunktur 1 (1928) Chapter Three "on a wave of oil England swam towards victory [...] our weapon of choice was oil": Oil Monopoly, Petro-Dramaturgical Aesthetics and Capitalocene in Leo Lania's Konjunktur 2 Chapter Four "Oil Is an Idea": From Production to Anti-Production in Leo Lania's Oil Field (1934) Chapter Five "It's not easy to make oil and love run in harness together": "Petroleum Odes," "Oil Odour," and "Odious Coolies" in Lion Feuchtwanger's Oil Islands Works Cited Index
Acknowledgments
Prelude
Introduction
Modern And Contemporary Oil Dramas and Cultures
Chapter One
Oil, the Crisis of Representation, and the Dramatic Form
Chapter Two
Conjonctural Cycles of Capitalist Oil Extraction in Western Peripheries: Leo Lania's Konjunktur 1 (1928)
Chapter Three
"on a wave of oil England swam towards victory [...] our weapon of choice was oil": Oil Monopoly, Petro-Dramaturgical Aesthetics and Capitalocene in Leo Lania's Konjunktur 2
Chapter Four
"Oil Is an Idea": From Production to Anti-Production in Leo Lania's Oil Field (1934)
Chapter Five
"It's not easy to make oil and love run in harness together": "Petroleum Odes," "Oil Odour," and "Odious Coolies" in Lion Feuchtwanger's Oil Islands
Works Cited
Index
Rezensionen
"On the whole, Fakhrkonandeh's work is a ground-breaking contribution to the fields of energy and environmental humanities. It is deeply researched, theoretically rigorous, and compellingly argued. It is recommended for all scholars of drama and theatre studies, energy and environmental humanities, and related literatures."
--Yigit Sümbül, Ankara Haci Bayram Veli University, Turkey
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