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Leni Riefenstahl's Olympia (1938) is one of the most controversial films ever made. Capitalising on the success of Triumph of the Will (1935), her propaganda film for the Nazi Party, Riefenstahl secured Hitler's approval for her grandiose plans to film the 1936 Berlin Olympics. The result was a work as notorious for its politics as celebrated for its aesthetic power.
This revised edition includes new material on Riefenstahl's film-making career before Olympia and her close relationship with Hitler. Taylor Downing also discusses newly-available evidence on the background to the film's
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Produktbeschreibung
Leni Riefenstahl's Olympia (1938) is one of the most controversial films ever made. Capitalising on the success of Triumph of the Will (1935), her propaganda film for the Nazi Party, Riefenstahl secured Hitler's approval for her grandiose plans to film the 1936 Berlin Olympics. The result was a work as notorious for its politics as celebrated for its aesthetic power.

This revised edition includes new material on Riefenstahl's film-making career before Olympia and her close relationship with Hitler. Taylor Downing also discusses newly-available evidence on the background to the film's production that conclusively proves that the film was directly commissioned by Hitler and funded through Goebbels's Ministry of Propaganda and not, as Riefenstahl later claimed, commissioned independently from the Nazi state by the Olympic authorities. In writing this edition, Taylor Downing has been given access to a magnificent new restoration of the original version of the film by the International Olympic Committee.
Autorenporträt
TAYLOR DOWNING is a television producer and writer. As managing director of Flashback Television he has produced more than 200 documentaries including many award winning history programmes. In 2008 he won the Grierson Award for Best Historical Documentary for 1983 - The Brink of Apocalypse (Channel 4 and Discovery US co-pro). He won the first ever BFI Award for Archival Achievement in 1985. Taylor is author of Churchill's War Lab (Little, Brown 2010) and Spies in the Sky (Little, Brown 2011), Cold War (1996, with Jeremy Isaacs) and Olympia (a BFI Film Classic). He regularly writes on Television History for History Today magazine and has lectured on Television History at the universities of Cambridge, Lincoln and Queen's, Belfast in the last two years. Taylor began his career at the Imperial War Museum in 1976 soon after the making of The World at War and then at Thames Television in the history unit that was set up following the huge success of The World at War.