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  • Format: ePub

Taking Australia as a case study, this double collection demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance, but are at least partly produced, defined and regulated by culture. The first volume covers Historical Perspectives, the second Applied Perspectives.

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Produktbeschreibung
Taking Australia as a case study, this double collection demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance, but are at least partly produced, defined and regulated by culture. The first volume covers Historical Perspectives, the second Applied Perspectives.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Jane W. Davidson has performed in and directed opera for more than 30 years. She is currently Head of Performing Arts at the University of Melbourne's Faculty of Fine Arts and Music. She has published widely, across the field of music psychology, musicology and practice as research. She is president of the Australian Music and Psychology Society. Michael Halliwell has enjoyed a career as an opera singer in Europe and as an academic at the University of Sydney Conservatorium of Music. He has published widely, and is president of the International Association for Word and Music Studies. Stephanie Rocke is a Research Fellow at the University of Melbourne affiliated with ARC Centre of Excellence for the History of Emotions with wide-ranging interests and publications in music and culture across time.