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Organizational Theory and Aesthetic Philosophies will illustrate and discuss this complex phenomenon, and it will be dedicated to highlight the philosophical basis of the study of aesthetics, art and design in organization.
Organizational Theory and Aesthetic Philosophies will illustrate and discuss this complex phenomenon, and it will be dedicated to highlight the philosophical basis of the study of aesthetics, art and design in organization.
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Autorenporträt
Antonio Strati is a senior professor of sociology of innovation and organization at the Faculty of Sociology of the University of Trento, Italy, and chercheur associé at i3-CRG, École polytechnique, CNRS, Université Paris-Saclay, France.
Inhaltsangabe
PART I: Philosophy and Organizational Aesthetics 1. Relevance of Philosophical Aesthetics in Organization Studies Polysemy, Mystery, Intensity Tacit Dimension of Knowing and Aesthetics The sublime and the Categories of Aesthetics Philosophy and the Aesthetic Study of Organization Interlude I: Poetry as manifesto N.2 2. Organizational Lens, Art Photography and Creation Process Let's Give a Chance to the Walls No Detail is Insignificant in Art Photography Perception and the Materiality of the Image's Virtual Body Interlude II: Designing the bottle to own its water 3. Art, Everyday Aesthetics and Organizational Theory Photography as a Metaphor of Organizational Aesthetics Philosophy of Art, that's the Problem Art and Aesthetics in Eastern and Western Recent Philosophy Interlude III: Homage to Gaspare Traversi PART II: Three Philosophical Sensibilities 4. Aesthetic Philosophy and the Aesthetic Approach Fundamental Characteristics of the Aesthetic Approach Phenomenological and Post-Humanistic Awareness Interlude IV: Riviera Mediterranea 5. Practice and the Italian Aesthetic Philosophies Formativeness and the Aesthetic Approach Practice as a Trait of Italian Philosophical Aesthetics Interlude V: La dame, la licorne et le miroir 6. Aesthetic, Hermeneutic and Performative Sensibility Aesthetic Sensibility Hermeneutic and Performative Sensibilities Giving Form: Philosophical Sensibilities and Organizational Theory Interlude VI: Homage to Niki de Saint Phalle Epilogue: Playing with Philosophical Aesthetics to Understand Organization
PART I: Philosophy and Organizational Aesthetics 1. Relevance of Philosophical Aesthetics in Organization Studies Polysemy, Mystery, Intensity Tacit Dimension of Knowing and Aesthetics The sublime and the Categories of Aesthetics Philosophy and the Aesthetic Study of Organization Interlude I: Poetry as manifesto N.2 2. Organizational Lens, Art Photography and Creation Process Let's Give a Chance to the Walls No Detail is Insignificant in Art Photography Perception and the Materiality of the Image's Virtual Body Interlude II: Designing the bottle to own its water 3. Art, Everyday Aesthetics and Organizational Theory Photography as a Metaphor of Organizational Aesthetics Philosophy of Art, that's the Problem Art and Aesthetics in Eastern and Western Recent Philosophy Interlude III: Homage to Gaspare Traversi PART II: Three Philosophical Sensibilities 4. Aesthetic Philosophy and the Aesthetic Approach Fundamental Characteristics of the Aesthetic Approach Phenomenological and Post-Humanistic Awareness Interlude IV: Riviera Mediterranea 5. Practice and the Italian Aesthetic Philosophies Formativeness and the Aesthetic Approach Practice as a Trait of Italian Philosophical Aesthetics Interlude V: La dame, la licorne et le miroir 6. Aesthetic, Hermeneutic and Performative Sensibility Aesthetic Sensibility Hermeneutic and Performative Sensibilities Giving Form: Philosophical Sensibilities and Organizational Theory Interlude VI: Homage to Niki de Saint Phalle Epilogue: Playing with Philosophical Aesthetics to Understand Organization
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