This idea is writ large in the world of Orphans, where recession is all we know, work is only available to the lucky few, and this lucky few not only need to fear being replaced on the job, but in their homes and beds. It is also a story about drugs, surfing, punk music, lost youth, parenting, sex, pop culture as vernacular, and a conscious intersection of Death of a Salesman or Glengarry Glen Ross with the Martian Chronicles.
Looking to the genre of science fiction has allowed Tanzer to produce something new and fresh, expanding both his literary horizons, and the potential market for his work. Tanzer also looks to the story of Bartleby the Scrivener with Orphans, and the question of what are we allowed as workers, and expected to be, or do, when work is fraught with desperation. Ultimately, Orphans is intended to be a contemporary story about manhood and what it means in today's world, told from the perspective of work and family, and how any of us manage the parameters that family and work produce; but it's a story told in a futuristic world, where our greatest fears are in fact already realized, because there isn't enough of anything, and we are all too easily replaced.
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