Other Cinemas (eBook, PDF)

Politics, Culture and Experimental Film in the 1970s
Redaktion: Clayton, Sue; Mulvey, Laura

• Format: PDF

Produktbeschreibung

The 1970s was an enormously creative period for experimental film. Its innovations and debates have had far-reaching and long-lasting influence, with a resurgence of interest in the decade revealed by new gallery events, film screenings and social networks that recognise its achievements. Professor Laura Mulvey, and writer/director Sue Clayton, bring together journalists and scholars at the cutting edge of research into 1970s radical cinema for this collection. Chapters are at once historically grounded yet fused with the current analysis of today's generation of cine-philes, to rediscover a unique moment for extraordinary film production. Other Cinemas establishes the factors that helped to shape alternative film: world cinema and internationalism, the politics of cultural policy and arts funding, new accessible technologies, avant-garde theories, and the development of a dynamic and interactive relationship between film and its audiences.

Exploring and celebrating the work of The Other Cinema, the London Film-makers' Co-op and other cornerstones of today's film culture, as well as the impact of creatives such as William Raban and Stephen Dwoskin - and Mulvey and Clayton themselves - this important book takes account of a wave of socially aware film practice without which today's activist, queer, minority and feminist voices would have struggled to gather such volume.

Produktdetails

• Verlag: Bloomsbury UK eBooks
• Seitenzahl: 368
• Erscheinungstermin: 30. Juni 2017
• Englisch
• ISBN-13: 9781786732040
• Artikelnr.: 55355099

Autorenporträt

Sue Clayton is a screenwriter and film director, and Professor of Film and Television at Goldsmiths, University of London, UK. Her films include The Song of the Shirt (1979), The Disappearance of Finbar (1996) and The Last Crop (1990). She has made 14 award-winning documentaries for Channel 4, BBC, and Central, and a number of music videos. Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London, UK. She is the acclaimed author of: Visual and Other Pleasures (1989; second edition 2009), Fetishism and Curiosity (1996; second edition 2013), Citizen Kane (1992; second edition 2012) and Death Twenty-four Times a Second: Stillness and the Moving Image (2006). She made six films in collaboration with Peter Wollen including Riddles of the Sphinx(1977) and Frida Kahlo & Tina Modotti (1984) as well as Disgraced Monuments (1996) with artist/filmmaker Mark Lewis.

Inhaltsangabe

List of Illustrations
Introduction - Sue Clayton and Laura Mulvey
PART ONE: CRITICAL CONTEXTS FOR 1970s EXPERIMENTAL FILMMAKING
1. Semiotics and 1970s British Film Culture, Nicolas Helm-Grovas (King's
College London, UK)
2. Listening to Women, Sophie Mayer (Independent scholar, UK)
3. Political Contexts of 1970s Independent Filmmaking, Steve Sprung
(Sheffield Hallam University, UK) & Anthony Davies (University of the Arts
London, UK)
4. Platforms of History: Brecht and the Public Uses of Radical History in
1970s Independent Cinema, Colin Perry (University of Westminster, UK)
PART TWO: INFRASTRUCTURES, TECHNOLOGIES AND 1970s EXPERIMENTAL FILMMAKING
5. Audiences: Not an Optional Extra: Artists' Distribution Practices from
the London Film-Makers' Co-op to Lux, Julia Knight (University of
Sunderland, UK)
6. Engaging Material Specificities: Aesthetics and Politics in the 1970s,
Kim Knowles (University of Aberystwyth, UK)
7. The Technologies and Practices of 1970s Community Video in the UK, Ed
Webb-Ingall (Independent scholar, UK)
8. 'Whose History?' Feminist Advocacy and Experimental Film and Video, Lucy
Reynolds (University of Westminster, UK)
PART THREE: PRACTICES, AESTHETICS AND 1970s EXPERIMENTAL FILMMAKING (THE
200 AVANT-GARDES)
9. A Whole New Attitude: The London Film Makers' Co-op in the Decade of
Structural/Materialism, Steven McIntyre (University of Melbourne, UK)
10. The 'Salvage' of Working-Class History and Experience: Reconsidering
the Amber Collective's 1970s Tyneside Documentaries, Jamie Chambers
(Transgressive North, UK)
11. Television Interventions: Experiments in Broadcasting by Artists in
Britain in the 1970s and 1980s, Catherine Elwes (University of the Arts
London, UK)
12. Britain's Black Filmmaking Workshops and Collective Practice, Daniella
Rose King (Institute of Contemporary Art, University of Pennsylvania, USA)
PART FOUR: CASE STUDIES
13. Views of River Yar : Reconsidering Raban and Welsby's Landmark
Landscape Film, Federico Windhausen (Independent scholar, Argentina)
14. Between Seeing and Knowing: Stephen Dwoskin's Behindert and the
Camera's Caress, Rachel Garfield (University of Reading, UK)
15. Rapunzel, Let Down Your Hair, Amy Tobin (Goldsmiths, University of
London, UK)
16. 'On Her Devolves the Labour': The Cinematic Time Travel of The Song of
the Shirt, Kodwo Eshun (Goldsmiths, University of London, UK)
PART FIVE: SNAPSHOTS FROM THE 1970s
17.Memories of The Other Cinema, Nick Hart-Williams (Transition Totnes Film
Festival, UK)
18. Organising for Innovation in Film and Television: The Independent
Film-Makers' Association in the Long 1970s, Simon Blanchard (Leeds Beckett
University, UK) & Claire M. Holdsworth (Kingston University London, UK)
19. The International Forum on Avant-Garde Film at the Edinburgh Film
Festival, 1976: Interview with Lynda Myles, Kim Knowles (University of
Aberystwyth, UK)
20. The Workshop Declaration: Independents and Organised Labour, Claire M.
Holdsworth (Kingston University London, UK)
21. Campaigning for Innovation and Experiment on Channel 4, Claire M.
Holdsworth (Kingston University London, UK) & Rod Stoneman (National
University of Ireland, Ireland)
Notes on Contributors
Chronological List of Recent Events
Select Bibliography
Index