Valadon, Charmy and Vassilieff experimented with the male nude, Black female nude, pregnant nude and nude self-portrait, a genre which few artists tackled until half a century later. Flouting the period's scientific discourses and social mores, they breached assumptions about 'feminine' art and unhinged expectations about the type of subject a woman could paint.
Contextualising their work within and against modernism, drawing parallels with later feminist artists and philosophers, this interdisciplinary book unravels the complexities of early twentieth-century gender regimes and persistent cultural stereotypes, providing an illuminating history of women, sexuality and the body.
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