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'Here at least we shall be free. Better to reign in Hell, than serve in Heaven...' Defeated in battle and exiled from heaven, Satan burns in a lake of fire with his army of rebels around him. Consumed with envy, he plots his bitter revenge - to destroy God's delight in his newest creation. During his hunt for Paradise on Earth, Satan sweet-talks his way out of hell and tricks his way across the universe to tempt Eve and seduce humanity. Paradise Lost , the greatest epic poem in the English language, is a richly theatrical vision of the Fall of Mankind. This version was produced by the…mehr
'Here at least we shall be free. Better to reign in Hell, than serve in Heaven...' Defeated in battle and exiled from heaven, Satan burns in a lake of fire with his army of rebels around him. Consumed with envy, he plots his bitter revenge - to destroy God's delight in his newest creation. During his hunt for Paradise on Earth, Satan sweet-talks his way out of hell and tricks his way across the universe to tempt Eve and seduce humanity. Paradise Lost, the greatest epic poem in the English language, is a richly theatrical vision of the Fall of Mankind. This version was produced by the Oxford Stage Company and toured throughout the UK in April 2006.
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Autorenporträt
Ben Power is a writer and dramaturg. Since 2010 he has been an Associate Director of the National Theatre. Dramaturgy for the NT includes: Earthquakes in London, Greenland, Double Feature, 13, Antigone, The Doctor's Dilemma, Timon of Athens and This House. From 2006-2010, Ben was the Associate Director of Headlong. Work commissioned and developed includes Lucy Prebble's award-winning ENRON (Chichester, Royal Court, West End and Broadway, 2009-10); King Lear (Young Vic and Liverpool Everyman, 2007-08); and Stephen Adly Guirgis' The Last Days of Judas Iscariot (Almeida, 2007). Other work for the theatre includes dramaturgy on Complicite's A Disappearing Number (Barbican and International Tour 2008-09), which won the Olivier, Evening Standard and Critics' Circle awards for Best Play.
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