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  • Format: ePub

"Because he died before his time, the teen protagonist of this wildly imaginative fantasy/sci-fi novel ends up in the special part of the afterlife reserved for lost things. He is meant to wait there until his proper time to die. Wit, as he is called in the afterlife, finds himself sharing this peculiar sort of purgatory with all manner of lost thingsnot just children. Buttons, socks, religion ("people are losing their religion all the time, right?") and more turn up there as well. Wit, however, is unwilling to accept that he is dead and immediately sets about trying to find a way back to his…mehr

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Produktbeschreibung
"Because he died before his time, the teen protagonist of this wildly imaginative fantasy/sci-fi novel ends up in the special part of the afterlife reserved for lost things. He is meant to wait there until his proper time to die. Wit, as he is called in the afterlife, finds himself sharing this peculiar sort of purgatory with all manner of lost thingsnot just children. Buttons, socks, religion ("people are losing their religion all the time, right?") and more turn up there as well. Wit, however, is unwilling to accept that he is dead and immediately sets about trying to find a way back to his life. His adventures along the way make for an unusual picaresque fantasy that is at times sweetly amusing and at other times deeply disturbing. This book seemed to me like The Hitchhikers Guide To The Galaxy meets Dante. If that combo makes you faintly queasy, well...

As you might expect from Wit's name, the book is filled with puns and wordplay, and twisty little jokes that veer from groaningly obvious to bits that I almost missed, sometimes getting the pun or punch line a half step behind the beat.

These aren't just one-off jokes; the wordplay is often extended, setting up an entire section or theme. Here is an example, not nearly the most clever, but one that is relatively easy to excerpt:

"Term-Mights on the other hand wouldn't bite you if you were not wood."

"Um, it's termites," corrected Wit.

"Not in a democracy," re-corrected Thera. "They are the power behind the throne balanced around you but they are only here for a term; they might or might not achieve anything in that time depending on the poles."

"You mean polls?" Wit asked hesitantly.

"No, the Beast Pole or the Waste Pole. You've come in through the Waste because the Fun rises in the Beast. To put it another way, people are losing power all the time, it turns them into beasts; others are wasting power all the time, lights left on in closed rooms must illuminate something. So, like either end of a magnet, both powers parley here and it energises the Term-Mights to produce something that either power alone couldn't achieve by itself: Cooperation."

On no account should the reader let all this punning and silliness lull him or her into the sense that this is a lighthearted story. Miller keeps you off-footed by mixing a sort of childlike storytellingincluding many references to fairy tales and nursery rhymeswith extremely adult themes, not limited to premature death. Many of the characters speak with an openness and innocence that would not seem out of place in The Hundred Acre Wood. Yet after establishing an almost nursery-rhyme cadence and silliness, Miller drops in deep observations about war, child abuse, inequality, and a great deal of social, political, historical, and economic commentary. But the heart of the book is an exploration of the contours of grief, particularly grief over the deaths of children. As the author puns in an afterword, Death And Other Taxes is a "grave allegory."

This e-book includes frequent links to websites that explain or elaborate on scientific points that come up in the book. For example, you can pop over directly from the text to a website about termites to find out the facts behind the Term-Mights. In one place, readers are directed to a Wikipedia site giving statistics on teen pregnancy, in another, to an academic paper on the biology of eunuchs. The story is wildly fantastical, yet these links provide frequent reminders of the real, hard-core world of modern science, as if to reassure the reader that stories of an afterlife are only imaginative means of coping with grief, lest the reader mistake them for some kind of reality. Joan Didion wrote that "We tell ourselves stories in order to live." Miller is telling himself, and us, stories to help us deal with death. As Wit eventually comes to accept and understand his death, the reader comes to accept t...


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, CY, CZ, D, DK, EW, E, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Introvertebrate: It's only my exoskeleton that's keeping my sh!t together. Born in 1968 on the far away island of Salamasond. Grew up a feminist with a liberal minded mother and sensible older sisters. Always loved scientific facts that have been verified by multiple professionals so I follow the facts as they are discovered. Lost my teenage son in a risk-taking accident with a train and then his brother - they were close enough to almost be twins - 11 years later due to depression caused by bereavement. So now I live between parallel universes - the regular one and the one where grief has to be sidestepped at every turn. Parley After Life is an allegory about letting go of the compulsion to want to see our lost loved ones again. It is an answer to everyone who tried but failed to comfort me by saying he was still there somewhere. It is also an example of how to manage our unintelligible grief using the psychological trick of rewriting it into a work of pure imagination. There is nothing more rewarding than raising kids - it's what we're made for. The pain we feel when a child, twin, or close relative dies is life-long and there is no panacea except the stories we tell ourselves. We are all story-tellers; novelists and religious writers alike are just professional day-dreamers. However, the key to coping with crisis is remembering what's fact and what's fiction.
Literary, non-ideological reviews welcome.

For more information on the risk of psychiatric disorders among the surviving twins after a co-twin loss, please see:
https://elifesciences.org/articles/56860

The twin bond has been suggested to be the closest and most enduring human social relationship... the unique relationship between twins is characterized by distinct intimacy and ambiguous identity boundaries. The genetic relatedness, shared early life experiences, and attachment have been suggested to contribute to the development of the shared twin identity... Consequently, when exposed to a co-twin death, both the grief (i.e., emotional reactions) and confusion of identity may contribute to a profound and long-lasting vulnerability of surviving twins... the subsequent risk of developing first-diagnosed psychiatric disorders increased by 5565% in the twin population... persistently existed more than 10 years after the loss... the long-term mental health decline among the surviving twins could also be attributable to the impairment of beneficial social support due...