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Exploring place and displacement, boundaries and borders, Passport is the second collection by Richie McCaffery, and follows his acclaimed debut Cairn (Nine Arches Press, 2014). In moving to the Belgian city of Ghent, McCaffery finds "What I see and what happens / are two different countries." In a place of dualities and unrealities, the poems find the usual definitions themselves becoming unstable; the old currency that is no longer valid, the postcards home unsent and the present tense ill at ease.
Written in crisp detail, these fluent poems weigh up whether leaving is a form of running
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Produktbeschreibung
Exploring place and displacement, boundaries and borders, Passport is the second collection by Richie McCaffery, and follows his acclaimed debut Cairn (Nine Arches Press, 2014). In moving to the Belgian city of Ghent, McCaffery finds "What I see and what happens / are two different countries." In a place of dualities and unrealities, the poems find the usual definitions themselves becoming unstable; the old currency that is no longer valid, the postcards home unsent and the present tense ill at ease.

Written in crisp detail, these fluent poems weigh up whether leaving is a form of running from or coming back to home, wherever that may be. At the heart of this tender and compelling collection, McCaffery writes directly of anxiety, loss and dislocation, asking us to consider what belonging is, and how we find our place in life, in love, and in language.


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Autorenporträt
Richie McCaffery divides his time between Ghent, Belgium where he lives with his Flemish wife and the UK. He has a PhD in Scottish literature from the University of Glasgow where he was a Carnegie scholar. Richie is the author of two poetry pamphlets - Spinning Plates (HappenStance Press) and Ballast Flint. In 2014 Nine Arches Press brought out his first collection Cairn. His essays on poetry have been published in places such as Studies in Scottish Literature, etudes Ecossaises, Scottish Literary Review and The Dark Horse. His poems have appeared in journals such as The North, Oxford Poetry, Ambit, The Times Literary Supplement and Magma.