Patience Sparhawk and Her Times, A Novel (eBook, ePUB)
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Atherton wrote Patience Sparhawk and Her Times, A Novel in 1897, but it proved too controversial. In 1898, and John Lane of The Bodley Head agreed to publish it.William Robertson Nicoll gave a review of it in the April 12, 1897 edition of The Bookman that said it was "crude" in its portrayal of a clever young woman with burning interest in life and identified it as a protest against the tame American novel. In the May 15 issue of The New York Times, the reviewer said that Atherton had "incontestable" ability and a "very original talent" while noting that the book offered a series of "fleshy" e...
Atherton wrote Patience Sparhawk and Her Times, A Novel in 1897, but it proved too controversial. In 1898, and John Lane of The Bodley Head agreed to publish it.
William Robertson Nicoll gave a review of it in the April 12, 1897 edition of The Bookman that said it was "crude" in its portrayal of a clever young woman with burning interest in life and identified it as a protest against the tame American novel. In the May 15 issue of The New York Times, the reviewer said that Atherton had "incontestable" ability and a "very original talent" while noting that the book offered a series of "fleshy" episodes in Patience's life that must have scared a sensitive reader. It was banned from the San Francisco Mechanics' Institute, and the San Francisco Call review said it represented Atherton's departure from her proper literary goal of treating early California themes romantically.
William Robertson Nicoll gave a review of it in the April 12, 1897 edition of The Bookman that said it was "crude" in its portrayal of a clever young woman with burning interest in life and identified it as a protest against the tame American novel. In the May 15 issue of The New York Times, the reviewer said that Atherton had "incontestable" ability and a "very original talent" while noting that the book offered a series of "fleshy" episodes in Patience's life that must have scared a sensitive reader. It was banned from the San Francisco Mechanics' Institute, and the San Francisco Call review said it represented Atherton's departure from her proper literary goal of treating early California themes romantically.
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