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A moving story about friendship, illness, and the poetry of Paul Celan by the astonishing Yoko Tawada, winner of the National Book Award
Patrik, who sometimes calls himself the patient, is a literary researcher living in present-day Berlin. The city is just coming back to life after lockdown, and his beloved opera houses are open again, but Patrik cannot leave the house and hardly manages to get out of bed. When he shaves his head, his girlfriend scolds him, What have you done to your head? I don't want to be with a prisoner from a concentration camp! He is supposed to give a paper at a…mehr

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Produktbeschreibung
A moving story about friendship, illness, and the poetry of Paul Celan by the astonishing Yoko Tawada, winner of the National Book Award

Patrik, who sometimes calls himself the patient, is a literary researcher living in present-day Berlin. The city is just coming back to life after lockdown, and his beloved opera houses are open again, but Patrik cannot leave the house and hardly manages to get out of bed. When he shaves his head, his girlfriend scolds him, What have you done to your head? I don't want to be with a prisoner from a concentration camp! He is supposed to give a paper at a conference in Paris, on the poetry collection Threadsuns by Paul Celan, but he can't manage to get past the first question on the registration form: What is your nationality? Then at a café (or in the memory of being at a café?), he meets a mysterious stranger. The man's name is Leo-Eric Fu, and somehow he already knows Patrik...

In the spirit of imaginative homage like Roberto Bolaño's Monsieur Pain, Antonio Tabucchi's Requiem, and Thomas Bernhard's Wittgenstein's Nephew, Yoko Tawada's mesmerizing new novel unfolds like a lucid dream in which friendship, conversation, reading, poetry, and music are the connecting threads that bind us together.


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Autorenporträt
Born in Tokyo in 1960, Yoko Tawada writes in both Japanese and German: she has received the Akutagawa, Kleist, Lessing, Noma, Adelbert von Chamisso, and Tanizaki prizes, as well as the Goethe Medal. Her novel The Emissary won the National Book Award. Rivka Galchen in the New York Times Magazine hailed her work as magnificently strange.