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Sarah Jackson explores the edges of writing in this uncanny book of touch. Tender, haunting, and yet beautifully poised, the poems in Pelt get right under your skin. The collection takes you on an unsettling journey between infancy and adulthood. Slipping from birds to blindness, from hides to hiding, Pelt uncovers the unfamiliar in the everyday. Pelt is written in the dark. It asks to be read through your fingertips. Striking and elegant, subtle and yet full of desire, this is a brilliant debut.'Sarah Jackson's poems are dark, strange stories, immaculately crafted. Surprising, dextrous,…mehr

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Produktbeschreibung
Sarah Jackson explores the edges of writing in this uncanny book of touch. Tender, haunting, and yet beautifully poised, the poems in Pelt get right under your skin. The collection takes you on an unsettling journey between infancy and adulthood. Slipping from birds to blindness, from hides to hiding, Pelt uncovers the unfamiliar in the everyday. Pelt is written in the dark. It asks to be read through your fingertips. Striking and elegant, subtle and yet full of desire, this is a brilliant debut.'Sarah Jackson's poems are dark, strange stories, immaculately crafted. Surprising, dextrous, sometimes shocking, they compel the reader into uncertain territory. This is an assured first collection from a cool and original new voice' -POLLY CLARK'These poems have a dream-like, hallucinatory quality. Intriguing and mysterious, they transform childhood memory, myth, experiences of place, everything Sarah Jackson draws on for material, into surreal and vivid narratives' -VICKI FEAVER'Sarah Jackson's Pelt is out on its own. At once peirastic and assured, these are poems of disturbing grace and power. They have a compelling strangeness, uncomfortably intimate and elusive at the same time. It is a work of glints and disclosures, by turns gentle and menacing, diurnal and surreal, erotic and deranged. In radical and original fashion, Pelt prompts feelings 'we can neither know/ nor name'. Here is a new voice, a pelting of voices in English poetry' -NICHOLAS ROYLE

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Autorenporträt
Sarah Jackson was born in 1977, grew up in Berkshire and now lives in Nottingham. Her pamphlet Milk (Pighog, 2008) was shortlisted for the Michael Marks Award and her work appears in a number of magazines and anthologies, including Voice Recognition: 21 Poets for the 21st Century (Bloodaxe Books, 2009) and The Best British Poetry 2011 (Salt, 2011). She was awarded Arts Council funding in 2009 and has been shortlisted for the Arvon International Poetry Competition (2010) and the Edwin Morgan Prize (2011). Sarah completed a doctorate at the University of Sussex in 2009 and now lectures at Nottingham Trent University, where she runs the MA in Creative Writing. Pelt (Bloodaxe Books, 2012), her first book-length collection, won the Seamus Heaney Centre Prize for Poetry, and was longlisted for the Guardian First Book Award.