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Vincendeau's analysis places 'Pepe le Moko' in its aesthetic, generic and cultural contexts, ranging from Duvivier's brilliant camera-work, to Gabin's suits and the film's orientalist setting. In the BFI FILM CLASSICS series.

Produktbeschreibung
Vincendeau's analysis places 'Pepe le Moko' in its aesthetic, generic and cultural contexts, ranging from Duvivier's brilliant camera-work, to Gabin's suits and the film's orientalist setting. In the BFI FILM CLASSICS series.
Autorenporträt
Ginette Vincendeau is Professor of Film Studies at King's College London . She is the editor of the BFI/Cassell Encyclopedia of European Cinema, and the author of The Companion to French Cinema (BFI/Cassell 1996) and Pépé le Moko (BFI, 1998).