Perception And Cognition Of Music (eBook, PDF)
Redaktion: Deliege, Irene; Sloboda, John A.
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Perception And Cognition Of Music (eBook, PDF)
Redaktion: Deliege, Irene; Sloboda, John A.
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This text comprises of papers relating to music and mind. It presents a range of approaches from the psychological through the computational, to the musicological.
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This text comprises of papers relating to music and mind. It presents a range of approaches from the psychological through the computational, to the musicological.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 480
- Erscheinungstermin: 2. August 2004
- Englisch
- ISBN-13: 9781135472245
- Artikelnr.: 42976602
- Verlag: Taylor & Francis
- Seitenzahl: 480
- Erscheinungstermin: 2. August 2004
- Englisch
- ISBN-13: 9781135472245
- Artikelnr.: 42976602
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Irene Deliege, John A. Sloboda
Part 1: Musicological Approaches. S. Arom
G. Leothaud
F. Voisin
Experimental Ethnomusicology: An Interactive Approach to the Study of Musical Scales. D. Cohen
R. Katz
Attitudes to the Time Axis and Cognitive Constraints: The Case of Arabic Vocal Folk Music. E. Rigbi-Shafrir
Radical Subjectivization of Time in the Music of the Fin-de-siecle: An Example by Max Reger. P. Verdix
Cognitive Sciences and Historical Sciences in Music: Ways Towards Conciliation. Part 2: Development Approaches. R.M. Abrams
K.K. Gerhardt
Some Aspects of the Foetal Sound Environment. S. Trehub
E. Schellenberg
D. Hill
The Origins of Music Perception and Cognition: A Developmental Approach. T. Umemoto
Developmental Approaches to Music Cognition and Behaviour. K.E. Behne
The Development of "Musikerleben" in Adolescence: How and Why Young People Listen to Music. A.C. Lehmann
The Acquisition of Expertise in Music: Efficiency of Deliberate Practice as a Moderating Variable in Accounting for Sub-expert Performance. Part 3: Biological Approaches. A.D. Parel
I. Peretz
Is Music Autonomous from Language? A Neurophysiological Appraisal. M. Besson
Electrophysiological Studies of Music Processing. Part 4: Acoustical and Computational Approaches.J.M. Hajda
R.A Kendall
E.C. Carterette
M.L. Harshberger
Methodological Issues in Timbre Research. Part 5: Structural Approaches. L.L. Cuddy
Tonal Relations. I. Cross
Pitch Schemata. I. Deliege
M. Melen
Cue Abstraction in the Representation of Musical Form. J.J. Nattiez
What is the Pertinence of Lerdahl-Jackendoff Theory. F. Lerdahl
Composing and Listening: A Reply to Nattiez. M. Imberty
Epistemic Subject
Psychological Subject: Regarding Lerdahl and Jackendoff's Generative Theory of Tonal Music. M. Imberty
Intertwining the Objectivity of Cognitive Analysis and the Subjectivity of the Oeuvre's Interpretations.
G. Leothaud
F. Voisin
Experimental Ethnomusicology: An Interactive Approach to the Study of Musical Scales. D. Cohen
R. Katz
Attitudes to the Time Axis and Cognitive Constraints: The Case of Arabic Vocal Folk Music. E. Rigbi-Shafrir
Radical Subjectivization of Time in the Music of the Fin-de-siecle: An Example by Max Reger. P. Verdix
Cognitive Sciences and Historical Sciences in Music: Ways Towards Conciliation. Part 2: Development Approaches. R.M. Abrams
K.K. Gerhardt
Some Aspects of the Foetal Sound Environment. S. Trehub
E. Schellenberg
D. Hill
The Origins of Music Perception and Cognition: A Developmental Approach. T. Umemoto
Developmental Approaches to Music Cognition and Behaviour. K.E. Behne
The Development of "Musikerleben" in Adolescence: How and Why Young People Listen to Music. A.C. Lehmann
The Acquisition of Expertise in Music: Efficiency of Deliberate Practice as a Moderating Variable in Accounting for Sub-expert Performance. Part 3: Biological Approaches. A.D. Parel
I. Peretz
Is Music Autonomous from Language? A Neurophysiological Appraisal. M. Besson
Electrophysiological Studies of Music Processing. Part 4: Acoustical and Computational Approaches.J.M. Hajda
R.A Kendall
E.C. Carterette
M.L. Harshberger
Methodological Issues in Timbre Research. Part 5: Structural Approaches. L.L. Cuddy
Tonal Relations. I. Cross
Pitch Schemata. I. Deliege
M. Melen
Cue Abstraction in the Representation of Musical Form. J.J. Nattiez
What is the Pertinence of Lerdahl-Jackendoff Theory. F. Lerdahl
Composing and Listening: A Reply to Nattiez. M. Imberty
Epistemic Subject
Psychological Subject: Regarding Lerdahl and Jackendoff's Generative Theory of Tonal Music. M. Imberty
Intertwining the Objectivity of Cognitive Analysis and the Subjectivity of the Oeuvre's Interpretations.
Part 1: Musicological Approaches. S. Arom
G. Leothaud
F. Voisin
Experimental Ethnomusicology: An Interactive Approach to the Study of Musical Scales. D. Cohen
R. Katz
Attitudes to the Time Axis and Cognitive Constraints: The Case of Arabic Vocal Folk Music. E. Rigbi-Shafrir
Radical Subjectivization of Time in the Music of the Fin-de-siecle: An Example by Max Reger. P. Verdix
Cognitive Sciences and Historical Sciences in Music: Ways Towards Conciliation. Part 2: Development Approaches. R.M. Abrams
K.K. Gerhardt
Some Aspects of the Foetal Sound Environment. S. Trehub
E. Schellenberg
D. Hill
The Origins of Music Perception and Cognition: A Developmental Approach. T. Umemoto
Developmental Approaches to Music Cognition and Behaviour. K.E. Behne
The Development of "Musikerleben" in Adolescence: How and Why Young People Listen to Music. A.C. Lehmann
The Acquisition of Expertise in Music: Efficiency of Deliberate Practice as a Moderating Variable in Accounting for Sub-expert Performance. Part 3: Biological Approaches. A.D. Parel
I. Peretz
Is Music Autonomous from Language? A Neurophysiological Appraisal. M. Besson
Electrophysiological Studies of Music Processing. Part 4: Acoustical and Computational Approaches.J.M. Hajda
R.A Kendall
E.C. Carterette
M.L. Harshberger
Methodological Issues in Timbre Research. Part 5: Structural Approaches. L.L. Cuddy
Tonal Relations. I. Cross
Pitch Schemata. I. Deliege
M. Melen
Cue Abstraction in the Representation of Musical Form. J.J. Nattiez
What is the Pertinence of Lerdahl-Jackendoff Theory. F. Lerdahl
Composing and Listening: A Reply to Nattiez. M. Imberty
Epistemic Subject
Psychological Subject: Regarding Lerdahl and Jackendoff's Generative Theory of Tonal Music. M. Imberty
Intertwining the Objectivity of Cognitive Analysis and the Subjectivity of the Oeuvre's Interpretations.
G. Leothaud
F. Voisin
Experimental Ethnomusicology: An Interactive Approach to the Study of Musical Scales. D. Cohen
R. Katz
Attitudes to the Time Axis and Cognitive Constraints: The Case of Arabic Vocal Folk Music. E. Rigbi-Shafrir
Radical Subjectivization of Time in the Music of the Fin-de-siecle: An Example by Max Reger. P. Verdix
Cognitive Sciences and Historical Sciences in Music: Ways Towards Conciliation. Part 2: Development Approaches. R.M. Abrams
K.K. Gerhardt
Some Aspects of the Foetal Sound Environment. S. Trehub
E. Schellenberg
D. Hill
The Origins of Music Perception and Cognition: A Developmental Approach. T. Umemoto
Developmental Approaches to Music Cognition and Behaviour. K.E. Behne
The Development of "Musikerleben" in Adolescence: How and Why Young People Listen to Music. A.C. Lehmann
The Acquisition of Expertise in Music: Efficiency of Deliberate Practice as a Moderating Variable in Accounting for Sub-expert Performance. Part 3: Biological Approaches. A.D. Parel
I. Peretz
Is Music Autonomous from Language? A Neurophysiological Appraisal. M. Besson
Electrophysiological Studies of Music Processing. Part 4: Acoustical and Computational Approaches.J.M. Hajda
R.A Kendall
E.C. Carterette
M.L. Harshberger
Methodological Issues in Timbre Research. Part 5: Structural Approaches. L.L. Cuddy
Tonal Relations. I. Cross
Pitch Schemata. I. Deliege
M. Melen
Cue Abstraction in the Representation of Musical Form. J.J. Nattiez
What is the Pertinence of Lerdahl-Jackendoff Theory. F. Lerdahl
Composing and Listening: A Reply to Nattiez. M. Imberty
Epistemic Subject
Psychological Subject: Regarding Lerdahl and Jackendoff's Generative Theory of Tonal Music. M. Imberty
Intertwining the Objectivity of Cognitive Analysis and the Subjectivity of the Oeuvre's Interpretations.