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Performance Anxiety in Media Culture explores the culture of performance anxiety in the media-saturated contemporary world. It uses comparative case studies including film, social media, and popular music to examine the ways that personal concern regarding self-presentation becomes transformed into shared cultural expressions through the use of media technologies. Three initial chapters are dedicated to exploring the work of Erving Goffman, Jacques Lacan, and Jean Baudrillard as critical for a thorough understanding of how implications of a range of recent transformations in the methods for…mehr
Performance Anxiety in Media Culture explores the culture of performance anxiety in the media-saturated contemporary world. It uses comparative case studies including film, social media, and popular music to examine the ways that personal concern regarding self-presentation becomes transformed into shared cultural expressions through the use of media technologies. Three initial chapters are dedicated to exploring the work of Erving Goffman, Jacques Lacan, and Jean Baudrillard as critical for a thorough understanding of how implications of a range of recent transformations in the methods for staging social performances are staged and in the ways that they are experienced and interpreted by others. Three subsequent chapters explore diverse case studies in the culture of performance anxiety: the representation of such anxieties in recent French cinema, the appearance of them in the world of fashion-based 'outfit of the day' blogs, and the attempt to refine a more fixed social persona in the nostalgic culture of rockabilly music.
Steven Bailey is Associate Professor in the Departments of Humanities and Science and Technology Studies at York University in Toronto, Canada. He is the author of Media Audiences and Identity (2005) and former director of the Joint Graduate Program in Communication and Culture at York University.
Inhaltsangabe
Introduction—Faces on the Stage and Faces in the Stalls 1. The Subject is Performance: Goffman as Dramaturgical Prophet 2. Performance Anxiety: Role-ing with Lacan 3. Liquid Stages and Melting Frames: Objective De-Stabilization 4. From Looking to Being to Killing: Performance Anxiety in Recent French Language Cinema 5. Protesting Disappearance: The Drama of the Stylish Self in the World of OOTD 6. 'I Forgot to Remember to Forget' or, 'Rockabilly Rebel, What'cha Ya Gonna Do'? Conclusion: Performance as a Psycho-Existential Problem Or, Between Performance Studies and Performativity
Introduction-Faces on the Stage and Faces in the Stalls 1. The Subject is Performance: Goffman as Dramaturgical Prophet 2. Performance Anxiety: Role-ing with Lacan 3. Liquid Stages and Melting Frames: Objective De-Stabilization 4. From Looking to Being to Killing: Performance Anxiety in Recent French Language Cinema 5. Protesting Disappearance: The Drama of the Stylish Self in the World of OOTD 6. 'I Forgot to Remember to Forget' or, 'Rockabilly Rebel, What'cha Ya Gonna Do'? Conclusion: Performance as a Psycho-Existential Problem Or, Between Performance Studies and Performativity
Introduction—Faces on the Stage and Faces in the Stalls 1. The Subject is Performance: Goffman as Dramaturgical Prophet 2. Performance Anxiety: Role-ing with Lacan 3. Liquid Stages and Melting Frames: Objective De-Stabilization 4. From Looking to Being to Killing: Performance Anxiety in Recent French Language Cinema 5. Protesting Disappearance: The Drama of the Stylish Self in the World of OOTD 6. 'I Forgot to Remember to Forget' or, 'Rockabilly Rebel, What'cha Ya Gonna Do'? Conclusion: Performance as a Psycho-Existential Problem Or, Between Performance Studies and Performativity
Introduction-Faces on the Stage and Faces in the Stalls 1. The Subject is Performance: Goffman as Dramaturgical Prophet 2. Performance Anxiety: Role-ing with Lacan 3. Liquid Stages and Melting Frames: Objective De-Stabilization 4. From Looking to Being to Killing: Performance Anxiety in Recent French Language Cinema 5. Protesting Disappearance: The Drama of the Stylish Self in the World of OOTD 6. 'I Forgot to Remember to Forget' or, 'Rockabilly Rebel, What'cha Ya Gonna Do'? Conclusion: Performance as a Psycho-Existential Problem Or, Between Performance Studies and Performativity
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