Performance Cultures as Epistemic Cultures, Volume I (eBook, ePUB)
(Re)Generating Knowledges in Performance
Redaktion: Fischer-Lichte, Erika; Schenka, Astrid; Kosic, Milos; Jost, Torsten
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Performance Cultures as Epistemic Cultures, Volume I (eBook, ePUB)
(Re)Generating Knowledges in Performance
Redaktion: Fischer-Lichte, Erika; Schenka, Astrid; Kosic, Milos; Jost, Torsten
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This book investigates performances as situated "machineries of knowing" (Karin Knorr Cetina), exploring them as relational processes for, in and with which performers as well as spectators actively (re)generate diverse practices of knowing, knowledges and epistemologies.
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This book investigates performances as situated "machineries of knowing" (Karin Knorr Cetina), exploring them as relational processes for, in and with which performers as well as spectators actively (re)generate diverse practices of knowing, knowledges and epistemologies.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 252
- Erscheinungstermin: 7. April 2023
- Englisch
- ISBN-13: 9781000862355
- Artikelnr.: 67441894
- Verlag: Taylor & Francis
- Seitenzahl: 252
- Erscheinungstermin: 7. April 2023
- Englisch
- ISBN-13: 9781000862355
- Artikelnr.: 67441894
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Torsten Jost is a researcher and academic coordinator at the Cluster of Excellence "Temporal Communities: Doing Literature in a Global Perspective" at Freie Universität Berlin. Erika Fischer-Lichte is Director of the International Research Center "Interweaving Performance Cultures" at Freie Universität Berlin. Milos Kosic studied creative writing at the City College of New York and English Studies at Freie Universität Berlin. Astrid Schenka is a performing arts scholar, dramaturge and translator. She currently works as a research associate at the International Research Center "Interweaving Performance Cultures" at Freie Universität Berlin as well as a guest lecturer at the Zurich University of the Arts.
Acknowledgments
List of Figures
Contributor Bios
Introduction: Performance Cultures as Epistemic Cultures - (Re)Generating Knowledges through Interweaving Performance Cultures
Torsten Jost
PART I - (Re)Generating Cultural and Social Knowledges
Christel Weiler
Index
List of Figures
Contributor Bios
Introduction: Performance Cultures as Epistemic Cultures - (Re)Generating Knowledges through Interweaving Performance Cultures
Torsten Jost
PART I - (Re)Generating Cultural and Social Knowledges
- Building Relations, Engendering Knowledge: Te R hia Theatre's SolOthello in Toronto
- Contesting the Povada as an Epistemological Mode: History, Form and Performance
- Ka aikkuttu as Practice-Based Knowledge
- Aesthetic Knowledge and Aesthetic Experience
- What Knowledges Do Dance Viewers Generate?
- Learning "to be Affected": Attaining "Relational Knowledge" through Interweaving in Acting
- On Being and Unknowing: Moving with an "Other" in Capoeira, Contact Improvisation and Queer Tango
- Approaching Practices of Acting through Concepts of Daoist Philosophy
- Teatr ZAR's Song Theater as Spiritual Knowledge
- Coda: Meditation on Not-Knowing
Ric Knowles
Kedar Arun Kulkarni
Hanne M. de Bruin
PART II - (Re)Generating Aesthetic Knowledges
Erika Fischer-Lichte
Susan Leigh Foster
Phillip Zarrilli
PART III - (Re)Generating Spiritual Knowledges
Ann Cooper Albright
Lynette Hunter
Maria Shevtsova
Christel Weiler
Index
Acknowledgments
List of Figures
Contributor Bios
Introduction: Performance Cultures as Epistemic Cultures - (Re)Generating Knowledges through Interweaving Performance Cultures
Torsten Jost
PART I - (Re)Generating Cultural and Social Knowledges
Christel Weiler
Index
List of Figures
Contributor Bios
Introduction: Performance Cultures as Epistemic Cultures - (Re)Generating Knowledges through Interweaving Performance Cultures
Torsten Jost
PART I - (Re)Generating Cultural and Social Knowledges
- Building Relations, Engendering Knowledge: Te R hia Theatre's SolOthello in Toronto
- Contesting the Povada as an Epistemological Mode: History, Form and Performance
- Ka aikkuttu as Practice-Based Knowledge
- Aesthetic Knowledge and Aesthetic Experience
- What Knowledges Do Dance Viewers Generate?
- Learning "to be Affected": Attaining "Relational Knowledge" through Interweaving in Acting
- On Being and Unknowing: Moving with an "Other" in Capoeira, Contact Improvisation and Queer Tango
- Approaching Practices of Acting through Concepts of Daoist Philosophy
- Teatr ZAR's Song Theater as Spiritual Knowledge
- Coda: Meditation on Not-Knowing
Ric Knowles
Kedar Arun Kulkarni
Hanne M. de Bruin
PART II - (Re)Generating Aesthetic Knowledges
Erika Fischer-Lichte
Susan Leigh Foster
Phillip Zarrilli
PART III - (Re)Generating Spiritual Knowledges
Ann Cooper Albright
Lynette Hunter
Maria Shevtsova
Christel Weiler
Index