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This volume investigates performance cultures as rich and dynamic environments of knowledge practice through which distinctive epistemologies are continuously (re)generated, cultivated, and celebrated.
This volume investigates performance cultures as rich and dynamic environments of knowledge practice through which distinctive epistemologies are continuously (re)generated, cultivated, and celebrated.
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Autorenporträt
Torsten Jost is a researcher and academic coordinator at the Cluster of Excellence "Temporal Communities: Doing Literature in a Global Perspective" at Freie Universität Berlin. Erika Fischer-Lichte is Director of the International Research Center "Interweaving Performance Cultures" at Freie Universität Berlin. Milos Kosic studied creative writing at the City College of New York and English Studies at Freie Universität Berlin. Astrid Schenka is a performing arts scholar, dramaturge and translator. She currently works as a research associate at the International Research Center "Interweaving Performance Cultures" at Freie Universität Berlin as well as a guest lecturer at the Zurich University of the Arts.
Inhaltsangabe
Acknowledgments List of Figures Contributor Bios Introduction: Performance Cultures as Epistemic Cultures - Developing Inter-Epistemic Approaches and Methodologies Torsten Jost PART I - Concepts, theories and methods 1. The Cognitive Empire: Epistemic Injustices and Resurgent Decolonization Sabelo J. Ndlovu-Gatsheni 2. Principles of Interweaving Epistemologies Sundar Sarukkai 3. Reconstituting the Destituted: How Decolonial and De-Western Interweaving Works Walter D. Mignolo PART II - Analyzing inter-epistemic performances 4. Confronting the Colonial Matrix of Power: Critical Intersections of Interculturality and Decoloniality in Performance Practice Rustom Bharucha 5. Staging Border Epistemologies: The Cross-Cultural Cartographies of an Artwork (Berlin, Galway, Seoul) Andrej Mir¿ev 6. Performance as Method: Critical Approaches to Western Episteme Mägorzata Sugiera PART III - Exploring inter-epistemic histories 7. Complex Smoking: On Brecht, Tobacco and Bourgeois Philosophy Nicholas Ridout 8. The Epistemic Politics of Indian Classical Dance Anurima Banerji 9. Performance or "Comportamento"? Interweaving the Names and Epistemologies of Performance Art in 1970s Italy Tancredi Gusman 10. Epilogue: Decolonial Aesthetics in Theater and Performance - Theatrical Strategies of Delinking Rustom Bharucha, Walter Mignolo, Torsten Jost and Christel Weiler Index
Acknowledgments List of Figures Contributor Bios Introduction: Performance Cultures as Epistemic Cultures - Developing Inter-Epistemic Approaches and Methodologies Torsten Jost PART I - Concepts, theories and methods 1. The Cognitive Empire: Epistemic Injustices and Resurgent Decolonization Sabelo J. Ndlovu-Gatsheni 2. Principles of Interweaving Epistemologies Sundar Sarukkai 3. Reconstituting the Destituted: How Decolonial and De-Western Interweaving Works Walter D. Mignolo PART II - Analyzing inter-epistemic performances 4. Confronting the Colonial Matrix of Power: Critical Intersections of Interculturality and Decoloniality in Performance Practice Rustom Bharucha 5. Staging Border Epistemologies: The Cross-Cultural Cartographies of an Artwork (Berlin, Galway, Seoul) Andrej Mir¿ev 6. Performance as Method: Critical Approaches to Western Episteme Mägorzata Sugiera PART III - Exploring inter-epistemic histories 7. Complex Smoking: On Brecht, Tobacco and Bourgeois Philosophy Nicholas Ridout 8. The Epistemic Politics of Indian Classical Dance Anurima Banerji 9. Performance or "Comportamento"? Interweaving the Names and Epistemologies of Performance Art in 1970s Italy Tancredi Gusman 10. Epilogue: Decolonial Aesthetics in Theater and Performance - Theatrical Strategies of Delinking Rustom Bharucha, Walter Mignolo, Torsten Jost and Christel Weiler Index
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