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This edited collection gathers UK and international artists, academics, practitioners and researchers in the fields of contemporary performance, dance and live art to offer creative-critical responses to the impact of the COVID-19 pandemic on their work.
This edited collection gathers UK and international artists, academics, practitioners and researchers in the fields of contemporary performance, dance and live art to offer creative-critical responses to the impact of the COVID-19 pandemic on their work.
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Autorenporträt
Laura Bissell is Interim Head of Contemporary Performance Practice and Lecturer in Research at the Royal Conservatoire of Scotland. Lucy Weir is Chancellor's Fellow in History of Art at the University of Edinburgh, where she specialises in dance and performance studies.
Inhaltsangabe
Introducing Performance in a Pandemic: Laura Bissell and Lucy Weir; Part I Precarity and Vulnerability; 1 Katherine Nolan: Life onPause: Entanglements of the Maternal and the Mortal in a Global Pandemic; 2 Lito Tsitsou: The Impact of COVID-19 on Freelance Contemporary Dance Work: Precarity and the Vulnerabilities of the Dancing Body; 3 Denise Espírito Santo and David Gutiérrez Castañeda: Embrace your Vulnerability: Cultivating Art, Theatricality and Performativity in Times of Catastrophe; 4 Judd Morrissey & Mark Jeffery (ATOM-r) in collaboration with Abraham Avnisan: The Tenders: Cover to Cover - Liner Notes; Part IIArt in an Emergency: "It's work"; 5 Shona Macnaughton: Here to Deliver: Conversations with the Ghosts of Gig Work; 6 Marc Silberschatz: Exploring Mars and other Impossibilities: Liveness as Labour; 7 Chris Elsden, Diwen Yu, Benedetta Piccio, Ingi Helgason, Melissa Terras: Recorded Performance as Digital Content: Perspectives from Fringe 2020; Part III Outreach and Inclusion; 8 Sarah Bartley in conversation with Anna Herrmann: 'How we open the doors to a community': Creative collaborations and aesthetic strategies in social isolation; 9 Rebecca Stancliffe: Mediating experience: Online community Arts Participation, a Postphenomenological Framing; 10 Rachel Clive in collaboration with Hughie McIntyre, Euan Hayton, Chloe Maxwell and Alison Mackenzie: not panicky; 11 Gudrun Soley Sigurdardottir: Invitation: On making together, apart; Part IV Curation: Performing the Archive; 12 Judit Bodor: Presence at a Distance: Alastair MacLennan and Performing Drawing in Lockdown; 13 Tamsin Hong: Recording My Body, My Archive at Tate Modern: A Collision Course of Curating on the Eve of COVID-19; 14 Kate Craddock: Curating Community and Connection in a Crisis: GIFT 2020; Postscript: Laura Bissell and Lucy Weir
Introducing Performance in a Pandemic: Laura Bissell and Lucy Weir; Part I Precarity and Vulnerability; 1 Katherine Nolan: Life onPause: Entanglements of the Maternal and the Mortal in a Global Pandemic; 2 Lito Tsitsou: The Impact of COVID-19 on Freelance Contemporary Dance Work: Precarity and the Vulnerabilities of the Dancing Body; 3 Denise Espírito Santo and David Gutiérrez Castañeda: Embrace your Vulnerability: Cultivating Art, Theatricality and Performativity in Times of Catastrophe; 4 Judd Morrissey & Mark Jeffery (ATOM-r) in collaboration with Abraham Avnisan: The Tenders: Cover to Cover - Liner Notes; Part IIArt in an Emergency: "It's work"; 5 Shona Macnaughton: Here to Deliver: Conversations with the Ghosts of Gig Work; 6 Marc Silberschatz: Exploring Mars and other Impossibilities: Liveness as Labour; 7 Chris Elsden, Diwen Yu, Benedetta Piccio, Ingi Helgason, Melissa Terras: Recorded Performance as Digital Content: Perspectives from Fringe 2020; Part III Outreach and Inclusion; 8 Sarah Bartley in conversation with Anna Herrmann: 'How we open the doors to a community': Creative collaborations and aesthetic strategies in social isolation; 9 Rebecca Stancliffe: Mediating experience: Online community Arts Participation, a Postphenomenological Framing; 10 Rachel Clive in collaboration with Hughie McIntyre, Euan Hayton, Chloe Maxwell and Alison Mackenzie: not panicky; 11 Gudrun Soley Sigurdardottir: Invitation: On making together, apart; Part IV Curation: Performing the Archive; 12 Judit Bodor: Presence at a Distance: Alastair MacLennan and Performing Drawing in Lockdown; 13 Tamsin Hong: Recording My Body, My Archive at Tate Modern: A Collision Course of Curating on the Eve of COVID-19; 14 Kate Craddock: Curating Community and Connection in a Crisis: GIFT 2020; Postscript: Laura Bissell and Lucy Weir
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