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"Laura L. Vidler's ... draws so productively on the state of knowledge about early modern English original practices ... . would be a salutary exercise for anyone interested in either original or contemporary performance practices not only in Spain but also in England. ... Early modern theater scholars who have not already worked out the radical potential of our field would do well to consult Vidler's lucid and persuasive vindication. ... is a manifesto for the field as a whole." (Kathryn Prince, Shakespeare Bulletin, Vol. 33, Winter, 2015)