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An examination of political and cultural acts of commemoration, this study addresses the connection of representation of violence in literary works to historical traumas such as royal death, secularization and regicide. Incorporating contemporary theories of trauma, Thomas Anderson here analyzes works by Shakepeare, Marlowe, Webster, Marvell and Milton. By interrogating the difficulty in representing historical crises in poetry, drama and political prose, Anderson demonstrates how early modern English identity is the fragile product of an ambivalent desire to flee history.

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Produktbeschreibung
An examination of political and cultural acts of commemoration, this study addresses the connection of representation of violence in literary works to historical traumas such as royal death, secularization and regicide. Incorporating contemporary theories of trauma, Thomas Anderson here analyzes works by Shakepeare, Marlowe, Webster, Marvell and Milton. By interrogating the difficulty in representing historical crises in poetry, drama and political prose, Anderson demonstrates how early modern English identity is the fragile product of an ambivalent desire to flee history.

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Autorenporträt
Thomas Anderson, Assistant Professor of English at Mississippi State University, USA. He has also taught English at Vanderbilt University and Southern New Hampshire University. He has published articles on Shakespeare, Marvell, Milton, and other early modern writers.