Edward Lamberti

Performing Ethics Through Film Style (eBook, PDF)

Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader

• Format: PDF

Produktbeschreibung

Emmanuel Levinas's ethical philosophy has had a significant influence on film theory in recent years. Proposing a relationship between Levinasian ethics and film style, and bringing it into a productive dialogue with theories of performativity, this book explores this influence through three directorial bodies of work: those of the Dardenne Brothers, Barbet Schroeder and Paul Schrader. Discussing a range of films - including the Dardennes' Le Fils and The Kid with a Bike, Schroeder's Maitresse and Reversal of Fortune and Schrader's American Gigolo and The Comfort of Strangers - Edward Lamberti demonstrates how film styles can perform a Levinasian ethics.

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Produktdetails

• Verlag: Edinburgh University Press
• Erscheinungstermin: 6. November 2019
• Englisch
• ISBN-13: 9781474444026
• Artikelnr.: 72422323

Autorenporträt

Edward Lamberti teaches film at King's College London and also works at the British Board of Film Classification. He is the editor of Behind the Scenes at the BBFC: Film Classification from the Silver Screen to the Digital Age (longlisted for the 2013 Kraszna-Krausz Book Award for Best Moving Image Book).

Inhaltsangabe

List of Figures
Acknowledgements
Introduction: Textual Performances in Levinas and Film
Part I: The Dardenne Brothers: An Ethics Without Rest
1: Je Pense à Vous and La Promesse: From Describing to Performing
2: Levinasian Responsibility in Le Fils
3: The Kid with a Bike and the Reframing of Ethics
Part II: Barbet Schroeder: Devoted to the Other
4: Maîtresse: Direction Without Domination
5: The Ethical and the Juridical in Reversal of Fortune and Terror's Advocate
6: Our Lady of the Assassins and Levinas's Ethics as First Philosophy
Part III: Paul Schrader: An Unexpected Ethics
7: American Gigolo and the Ethics of Falling in Love
8: Levinasian Limits of Performativity in Mishima: A Life in Four Chapters
9: Passivity and Responsibility in The Comfort of Strangers, Dominion: Prequel to the Exorcist and Adam Resurrected
Conclusion: Levinasian Films in the World
Notes
Bibliography
Index