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'Over the past years I have often wondered where the big, important, paradigm-changing book about re-enactment is: Schneider' s book seems to me to be that book. Her work is challenging,thoughtful and innovative and will set the agenda for study in a number of areas for the next decade.' - Jerome de Groot, University of Manchester
'Like a blast from the future, Performing Remains is a mind-bending, time-tripping exploration of the folds between the live and the mediated, once and again, what is passed through and what is still here. Rebecca Schneider has written a vital and revitalizing book, which will redefine the kinds of questions we can ask with performance and performance studies.' - Ann Pellegrini, New York University
'This is a strikingly original, medidative study. Taking up the question of re-performance or re-enactment, Schneider ranges widely over the contemporary scene of performance, taking in a quite astonishing range of materials-contemporary plays, disciplinary concerns in the field of performance studies, the work of experimental companies, photography, protest, and more. In the strongest sense, this book presents a richly provocative mimesis of thought, in which a major critic deftly and productively follows important questions where they lead. It's an inimitable performance, but one that will be deeply and gratefully mined by its readers.' - W. B. Worthen, Barnard College, Columbia University
'Rebecca Schneider's long-awaited book Performing Remains offers a major contribution to performance studies discussions and debates around liveness and temporality. Framing her study with re-enactments of the US Civil War (both 'traditional' and contemporary artist-driven), Schneider weaves together extra-theatrical militaristic re-enactments with theatrical performance and re-performance, as well as sculpture and photographic representation, to question rhetorics of performance as disapperance and to consider the archive as a space of performance. Across five chapters, plus a foreword and an afterword, Schneider's wide-ranging intellect and poetic style produce a powerful argument that is a delight to read.' - Joshua Abrams, Contemporary Theatre Review