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Home to fifty-eight author-selected poems and accompanying essays, Personal Best: Makers on Their Poems That Matter Most is a far-reaching, essential touchstone for the art of poetry in the United States today. Personal Best: Makers on Their Poems That Matter Most is home to fifty-eight author-selected poems and accompanying essays that explain how and why each poet chose a poem as their personal best. The anthology offers a provocative and surprising range of responses in which readers will find poetic context for the life of a poem and revelatory insight into the unique, personal…mehr
Home to fifty-eight author-selected poems and accompanying essays, Personal Best: Makers on Their Poems That Matter Most is a far-reaching, essential touchstone for the art of poetry in the United States today.
Personal Best: Makers on Their Poems That Matter Most is home to fifty-eight author-selected poems and accompanying essays that explain how and why each poet chose a poem as their personal best. The anthology offers a provocative and surprising range of responses in which readers will find poetic context for the life of a poem and revelatory insight into the unique, personal experiences that shape the writing process itself. Including works from a wide variety of voices both new and well-established, Personal Best is a far-reaching, essential touchstone for the art of poetry in the United States today. The anthology gives readersboth long-time fans of poetry and those just discovering its possibilitiesan intimate view of the heart and spirit that make poetry one of our most quintessentially human forms of expression.
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Autorenporträt
About the Editors Erin Belieu is the author of five poetry collections, all from Copper Canyon Press, including her most recent, Come-Hither Honeycomb. Belieu literary activism earned her the AWP’s George Garrett Prize for her service to the national writing community, and she co-founded VIDA: Women in Literary Arts and Writers Resist. Belieu teaches in the University of Houston MFA/Ph.D. Creative Writing Program and for Lesley University’s low residency MFA program in Cambridge, Massachusetts. Carl Phillips is a seasoned poet, author, and translator who has published three prose books and sixteen poetry collections, most recently Then the War: New And Selected Poems 2007-2020. His honors include the Pulitzer Prize in Poetry (2023), a Lambda Literary Award, the PEN/USA Award for Poetry, and fellowships from the Guggenheim Foundation, Library of Congress, and the Academy of American Poets. He teaches at Washington University in St. Louis with a focus on contemporary poetry, classical philology, and translation.
Inhaltsangabe
Samuel Ace: “I Met a Man” Kaveh Akbar: “Reading Farrokhzad in a Pandemic” Rick Barot: “The Names” Oliver Baez Bendorf: “Untitled [Who cut me from/growing into a buck?]” Reginald Dwayne Betts: from “House of Unending” Mark Bibbins: “At the End of the Endless Decade” Jericho Brown: “Pause” Molly McCully Brown: “God is Your Shoulder” Victoria Chang: “The Clock” jos charles: from “Feeld” John Lee Clark: “Line of Descent” Martha Collins: “White Paper 6” CAConrad: “9 Shard” Eduardo C. Corral: “Acquired Immune Deficiency Syndrome” Laura Da’: “River City” Oscar de la Paz: “The Surgical Theater as Spirit Cabinet” Mark Doty: “No” Rita Dove: “Götterdämmerung” Camille Dungy: “Natural History” Heid Erdrich: “The Theft Outright” Martín Espada: “Haunt Me” Tarfia Faizullah: “Great Material” Jennifer Elise Foerster: “The Last Kingdom” Carolyn Forché: “The Garden of Shukkei-En” Rigoberto Gonzáles: “Anaberto Skypes with His Mother” Jorie Graham: “Why” Paul Guest: “User’s Guide to Physical Debilitation” Kimiko Hahn: “The Unbearable Heart” francine j. harris: “Katherine with the lazy eye, short, and not a good poet.” Brenda Hillman: “At the Solstice, a Yellow Fragment” Tyehimba Jess: “Blood of my blood (walk away)” Ilya Kaminsky: “Marina Tsvetaeva” Donika Kelly: “Brood” Yusef Komunyakaa: “Crack” Dorianne Laux: “Arizona” Dana Levin: “Working Methods” Ada Limón: “Adaptation” Cate Marvin: “My First Husband Was My Last” Adrian Matejka: “On the B Side” Airea D. Matthews: “Sexton Texts Tituba from a Bird Conservatory” Eileen Myles: “My Boy’s Red Hat” Craig Santos Perez: “The Pacific Written Tradition” Robert Pinsky: “The Robots” D. A. Powell: “chronic” Roger Reeves: “Something about John Coltrane” Jason Reynolds: “April 17, 1942 Jackie Robinson Gets His First Major League Hit and We Still Us” Erika Sánchez: “Saudade” Diane Seuss: “Still-Life with Two Dead Peacocks and a Girl” Solmaz Sharif: “The Master’s House” Cedar Sigo: “A Handbook of Poetic Forms” Jake Skeets: “Maar” Danez Smith: “waiting on you to die so i can be myself” Patricia Smith: “Sweet Daddy” Arthur Sze: “Sleepers” Mary Szybist: “The Lushness of It” Ocean Vuong: “Not Even” The Cyborg Jillian Weise: “All the Littles in Exodus” Monica Youn: “Greenacre”
Samuel Ace: “I Met a Man” Kaveh Akbar: “Reading Farrokhzad in a Pandemic” Rick Barot: “The Names” Oliver Baez Bendorf: “Untitled [Who cut me from/growing into a buck?]” Reginald Dwayne Betts: from “House of Unending” Mark Bibbins: “At the End of the Endless Decade” Jericho Brown: “Pause” Molly McCully Brown: “God is Your Shoulder” Victoria Chang: “The Clock” jos charles: from “Feeld” John Lee Clark: “Line of Descent” Martha Collins: “White Paper 6” CAConrad: “9 Shard” Eduardo C. Corral: “Acquired Immune Deficiency Syndrome” Laura Da’: “River City” Oscar de la Paz: “The Surgical Theater as Spirit Cabinet” Mark Doty: “No” Rita Dove: “Götterdämmerung” Camille Dungy: “Natural History” Heid Erdrich: “The Theft Outright” Martín Espada: “Haunt Me” Tarfia Faizullah: “Great Material” Jennifer Elise Foerster: “The Last Kingdom” Carolyn Forché: “The Garden of Shukkei-En” Rigoberto Gonzáles: “Anaberto Skypes with His Mother” Jorie Graham: “Why” Paul Guest: “User’s Guide to Physical Debilitation” Kimiko Hahn: “The Unbearable Heart” francine j. harris: “Katherine with the lazy eye, short, and not a good poet.” Brenda Hillman: “At the Solstice, a Yellow Fragment” Tyehimba Jess: “Blood of my blood (walk away)” Ilya Kaminsky: “Marina Tsvetaeva” Donika Kelly: “Brood” Yusef Komunyakaa: “Crack” Dorianne Laux: “Arizona” Dana Levin: “Working Methods” Ada Limón: “Adaptation” Cate Marvin: “My First Husband Was My Last” Adrian Matejka: “On the B Side” Airea D. Matthews: “Sexton Texts Tituba from a Bird Conservatory” Eileen Myles: “My Boy’s Red Hat” Craig Santos Perez: “The Pacific Written Tradition” Robert Pinsky: “The Robots” D. A. Powell: “chronic” Roger Reeves: “Something about John Coltrane” Jason Reynolds: “April 17, 1942 Jackie Robinson Gets His First Major League Hit and We Still Us” Erika Sánchez: “Saudade” Diane Seuss: “Still-Life with Two Dead Peacocks and a Girl” Solmaz Sharif: “The Master’s House” Cedar Sigo: “A Handbook of Poetic Forms” Jake Skeets: “Maar” Danez Smith: “waiting on you to die so i can be myself” Patricia Smith: “Sweet Daddy” Arthur Sze: “Sleepers” Mary Szybist: “The Lushness of It” Ocean Vuong: “Not Even” The Cyborg Jillian Weise: “All the Littles in Exodus” Monica Youn: “Greenacre”
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